Chips from a German Workshop, Volume 1: Essays on the Science of ReligionMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 1: Essays on the Science of Religion
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
There is another graveboard of the ruling chief of Sandy Lake on the
Upper Mississippi. Here the reversed bird denotes his family name or
clan, the Crane. Four transverse lines above it denote that he had
killed four of his enemies in battle. An analogous custom is mentioned
by Aristotle ('Politica,' vii. 2, p. 220, ed. Göttling). Speaking of
the Iberians, he states that they placed as many obelisks round the
grave of a warrior as he had killed enemies in battle.
But the Indians went further; and though they never arrived at the
perfection of the Egyptian hieroglyphics, they had a number of
symbolic emblems which were perfectly understood by all their tribes.
Eating is represented by a man's hand lifted to his mouth. Power over
man is symbolized by a line drawn in the figure from the mouth to the
heart; power in general by a head with two horns. A circle drawn
around the body at the abdomen denotes full means of subsistence. A
boy drawn with waved lines from each ear and lines leading to the
heart represents a pupil. A figure with a plant as head, and two
wings, denotes a doctor skilled in medicine, and endowed with the
power of ubiquity. A tree with human legs, a herbalist or professor of
botany. Night is represented by a finely crossed or barred sun, or a
circle with human legs. Rain is figured by a dot or semicircle filled
with water and placed on the head. The heaven with three disks of the
sun is understood to mean three days' journey, and a landing after a
voyage is represented by a tortoise. Short sentences, too, can be
pictured in this manner. A prescription ordering abstinence from food
for two, and rest for four, days is written by drawing a man with two
bars on the stomach and four across the legs. We are told even of
war-songs and love-songs composed in this primitive alphabet; but it
would seem as if, in these cases, the reader required even greater
poetical imagination than the writer. There is one war-song consisting
of four pictures--
1. The sun rising.
2. A figure pointing with one hand to the earth and the
other extended to the sky.
3. The moon with two human legs.
4. A figure personifying the Eastern woman, i. e. the
evening star.
These four symbols are said to convey to the Indian the following
meaning:
I am rising to seek the war path;
The earth and the sky are before me;
I walk by day and by night;
And the evening star is my guide.
The following is a specimen of a love-song:
1. Figure representing a god (monedo) endowed with magic
power.
2. Figure beating the drum and singing; lines from his
mouth.
3. Figure surrounded by a secret lodge.
4. Two bodies joined with one continuous arm.
5. A woman on an island.
6. A woman asleep; lines from his ear towards her.
7. A red heart in a circle.
This poem is intended to express these sentiments:
1. It is my form and person that make me great--
Public-domain text, read in full here on John Shaqi.
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