Chips from a German Workshop, Volume 1: Essays on the Science of ReligionMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 1: Essays on the Science of Religion
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
2. Hear the voice of my song, it is my voice.
3. I shield myself with secret coverings.
4. All your thoughts are known to me, blush!
5. I could draw you hence were you ever so far--
6. Though you were on the other hemisphere--
7. I speak to your naked heart.
All we can say is, that if the Indians can read this writing, they are
greater adepts in the mysteries of love than the judges of the old
_Cours d'amour_. But it is much more likely that these war-songs and
love-songs are known to the people beforehand, and that their writings
are only meant to revive what exists in the memory of the reader. It
is a kind of mnemonic writing, and it has been used by missionaries
for similar purposes, and with considerable success. Thus, in a
translation of the Bible in the Massachusetts language by Eliot, the
verses from 25 to 32 in the thirtieth chapter of Proverbs, are
expressed by 'an ant, a coney, a locust, a spider, a river (symbol of
motion), a lion, a greyhound, a he-goat and king, a man foolishly
lifting himself to take hold of the heavens.' No doubt these symbols
would help the reader to remember the proper order of the verses, but
they would be perfectly useless without a commentary or without a
previous knowledge of the text.
We are told that the famous Testéra, brother of the chamberlain of
François I, who came to America eight or nine years after the taking
of Mexico, finding it impossible to learn the language of the natives,
taught them the Bible history and the principal doctrines of the
Christian religion, by means of pictures, and that these diagrams
produced a greater effect on the minds of the people, who were
accustomed to this style of representation, than all other means
employed by the missionaries. But here again, unless these pictures
were explained by interpreters, they could by themselves convey no
meaning to the gazing crowds of the natives. The fullest information
on this subject is to be found in a work by T. Baptiste, 'Hiéroglyphes
de la conversion, où par des estampes et des figures on apprend aux
naturels à desirer le ciel.'
There is no evidence to show that the Indians of the North ever
advanced beyond the rude attempts which we have thus described, and of
which numerous specimens may be found in the voluminous work of
Schoolcraft, published by authority of Congress, 'Historical and
Statistical Information respecting the History, Condition, and
Prospects of the Indian Tribes of the United States,' Philadelphia,
1851-1855. There is no trace of anything like literature among the
wandering tribes of the North, and until a real 'Livre des Sauvages'
turns up to fill this gap, they must continue to be classed among the
illiterate races.[97]
[Footnote 97: 'Manuscrit Pictographique,' pp. 26, 29.]
Public-domain text, read in full here on John Shaqi.
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