The word Brãhma_n_a which is here used, is a derivative form of Bráhman; but what is most important in these lines is the mixing of neuter and masculine words, of impersonal and personal deities. This process is brought to perfection by changing Bráhman, the neuter, even grammatically into Bráhman, a masculine,--a change which has taken place in the Âra_n_yakas, where we find Bráhman used as the name of a male deity. It is this Bráhman, with the accent on the first, not, as has been supposed, brahmán, the priest, that appears again in the later literature as one of the divine triad, Bráhman, Vish_n_u, _S_iva. The word bráhman, as a neuter, is used in the Rig-veda in the sense of prayer also, originally what bursts forth from the soul, and, in one sense, what is revealed. Hence in later times bráhman is used collectively for the Veda, the sacred word. Another word, with the accent on the last syllable, is brahmán, the man who prays, who utters prayers, the priest, and gradually the Brahman by profession. In this sense it is frequently used in the Rig-veda (I. 108, 7), but not yet in the sense of Brahman by birth or caste.] In the Veda, then, we can study a theogony of which that of Hesiod is but the last chapter. We can study man's natural growth, and the results to which it may lead under the most favourable conditions. All was given him that nature can bestow. We see him blest with the choicest gifts of the earth, under a glowing and transparent sky, surrounded by all the grandeur and all the riches of nature, with a language 'capable of giving soul to the objects of sense, and body to the abstractions of metaphysics.' We have a right to expect much from him, only we must not expect in his youthful poems the philosophy of the nineteenth century, or the beauties of Pindar, or, with some again, the truths of Christianity. Few understand children, still fewer understand antiquity. If we look in the Veda for high poetical diction, for striking comparisons, for bold combinations, we shall be disappointed. These early poets thought more for themselves than for others. They sought rather, in their language, to be true to their own thought than to please the imagination of their hearers. With them it was a great work achieved for the first time to bind thoughts and words together, to find expressions or to form new names. As to similes, we must look to the words themselves, which, if we compare their radical and their nominal meaning, will be found full of bold metaphors. No translation in any modern language can do them justice. As to beauty, we must discover it in the absence of all effort, and in the simplicity of their hearts. Prose was, at that time, unknown, as well as the distinction between prose and poetry. It was the attempted imitation of those ancient natural strains of thought which in later times gave rise to poetry in our sense of the word, that is to say, to poetry as an art, with its counted syllables, its numerous epithets,