To return to Joinville’s History, the scarcity of MSS. is very instructive from an historical point of view. As far as we know at present, his great work existed for centuries in two copies only, one preserved in his own castle, the other in the library of the Kings of France. We can hardly say that it was published, even in the restricted sense which that word had during the fourteenth century, and there certainly is no evidence that it was read by any one except by members of the royal family of France, and possibly by descendants of Joinville. It exercised no influence; and if two or three copies had not luckily escaped (one of them, it must be confessed, clearly showing the traces of mice’s teeth), we should have known very little indeed either of the military or of the literary achievements of one who is now ranked among the chief historians of France, or even of Europe. After Joinville’s History had once emerged from its obscurity, it soon became the fashion to praise it, and to praise it somewhat indiscriminately. Joinville became a general favorite both in and out of France; and after all had been said in his praise that might be truly and properly said, each successive admirer tried to add a little more, till at last, as a matter of course, he was compared to Thucydides, and lauded for the graces of his style, the vigor of his language, the subtlety of his mind, and his worship of the harmonious and the beautiful, in such a manner that the old bluff soldier would have been highly perplexed and disgusted, could he have listened to the praises of his admirers. Well might M. Paulin Paris say, “I shall not stop to praise what everybody has praised before me; to recall the graceful _naïveté_ of the good Sénéchal, would it not be, as the English poet said, ‘to gild the gold and paint the lily white?’ ” It is surprising to find in the large crowd of indiscriminate admirers a man so accurate in his thoughts and in his words as the late Sir James Stephen. Considering how little Joinville’s History was noticed by his contemporaries, how little it was read by the people before it was printed during the reign of François I., it must seem more than doubtful whether Joinville really deserved a place in a series of lectures, “On the Power of the Pen in France.” But, waiving that point, is it quite exact to say, as Sir James Stephen does, “that three writers only retain, and probably they alone deserve, at this day the admiration which greeted them in their own,—I refer to Joinville, Froissart, and to Philippe de Comines?” And is the following a sober and correct description of Joinville’s style?—