Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
After a careful perusal of M. Fischer’s work, we believe that it will not
only serve in Germany as a useful introduction to the study of Bacon, but
that it will be read with interest and advantage by many persons in
England who are already acquainted with the chief works of the
philosopher. The analysis which he gives of Bacon’s philosophy is accurate
and complete; and, without indulging in any lengthy criticisms, he has
thrown much light on several important points. He first discusses the aim
of his philosophy, and characterizes it as Discovery in general, as the
conquest of nature by man (_Regnum hominis, interpretatio naturæ_). He
then enters into the means which it supplies for accomplishing this
conquest, and which consist chiefly in experience:—
“The chief object of Bacon’s philosophy is the establishment and
extension of the dominion of man. The means of accomplishing this
we may call culture, or the application of physical powers toward
human purposes. But there is no such culture without discovery,
which produces the means of culture; no discovery without science,
which understands the laws of nature; no science without natural
science; no natural science without an interpretation of nature;
and this can only be accomplished according to the measure of our
experience.”
M. Fischer then proceeds to discuss what he calls the negative or
destructive part of Bacon’s philosophy (_pars destruens_),—that is to say,
the means by which the human mind should be purified and freed from all
preconceived notions before it approaches the interpretation of nature. He
carries us through the long war which Bacon commenced against the idols of
traditional or scholastic science. We see how the _idola tribus_, the
_idola specus_, the _idola fori_, and the _idola theatri_, are destroyed
by his iconoclastic philosophy. After all these are destroyed, there
remains nothing but uncertainty and doubt; and it is in this state of
nudity, approaching very nearly to the _tabula rasa_ of Locke, that the
human mind should approach the new temple of nature. Here lies the radical
difference between Bacon and Des Cartes, between Realism and Idealism. Des
Cartes also, like Bacon, destroys all former knowledge. He proves that we
know nothing for certain. But after he has deprived the human mind of all
its imaginary riches, he does not lead it on, like Bacon, to a study of
nature, but to a study of itself as the only subject which can be known
for certain, _Cogito, ergo sum_. His philosophy leads to a study of the
fundamental laws of knowing and being; that of Bacon enters at once into
the gates of nature, with the innocence of a child (to use his own
expression) who enters the kingdom of God. Bacon speaks, indeed, of a
_Philosophia prima_ as a kind of introduction to Divine, Natural, and
Human Philosophy; but he does not discuss in this preliminary chapter the
problem of the possibility of knowledge, nor was it with him the right
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