Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
soul rise to the level of sovereigns, she admitted Leibnitz into her
familiar society.”
The seventeenth century saw the rise and fall of the first and the second
Silesian schools. The first is represented by men like Opitz and
Weckherlin, and it exercised an influence in the North of Germany on Simon
Dach, Paul Flemming, and a number of less gifted poets, who are generally
known by the name of the _Königsberg School_. Its character is
pseudo-classical. All these poets endeavored to write correctly, sedately,
and eloquently. Some of them aimed at a certain simplicity and sincerity,
which we admire particularly in Flemming. But it would be difficult to
find in all their writings one single thought, one single expression, that
had not been used before. The second Silesian school is more ambitious;
but its poetic flights are more disappointing even than the honest prose
of Opitz. The “Shepherds of the Pegnitz” had tried to imitate the
brilliant diction of the Italian poets; but the modern Meistersänger of
the old town of Nürnberg had produced nothing but wordy jingle.
Hoffmannswaldau and Lohenstein, the chief heroes of the second Silesian
school, followed in their track, and did not succeed better. Their
compositions are bombastic and full of metaphors. It is a poetry of
adjectives, without substance, truth, or taste. Yet their poetry was
admired, praised not less than Goethe and Schiller were praised by their
contemporaries, and it lived beyond the seventeenth century. There were
but few men during that time who kept aloof from the spirit of these two
Silesian schools, and were not influenced by either Opitz or
Hoffmannswaldau. Among these independent poets we have to mention
Friedrich von Logau, Andreas Gryphius, and Moscherosch. Beside these,
there were some prose writers whose works are not exactly works of art,
but works of original thought, and of great importance to us in tracing
the progress of science and literature during the dreariest period of
German history. We can only mention the “Simplicissimus,” a novel full of
clever miniature drawing, and giving a truthful picture of German life
during the Thirty Years’ War; the patriotic writings of Professor Schupp;
the historical works of Professor Pufendorf (1631-94); the pietistic
sermons of Spener, and of Professor Franke (1663-1727), the founder of the
Orphan School at Halle; Professor Arnold’s (1666-1714) Ecclesiastical
History; the first political pamphlets by Professor Thomasius (1655-1728);
and among philosophers, Jacob Böhme at the beginning, and Leibnitz at the
end of the seventeenth century.
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