“There was there present at that time an old gentleman well experienced in the wars, a stern soldier, and who had been in many great hazards, named Echephron, who, hearing this discourse, said: ‘J’ay grand peur que toute ceste entreprise sera semblable à la farce _du pot au laict_ duquel un cordavanier se faisoit riche par resverie, puis le pot cassé, n’eut de quoy disner.’” This is clearly our story, only the Brahman has, as yet, been changed into a shoemaker only, and the pot of rice or the jar of butter and honey into a pitcher of milk. Now it is perfectly true that if a writer of the fifteenth century changed the Brahman into a shoemaker, La Fontaine might, with the same right, have replaced the Brahman by his milkmaid. Knowing that the story was current, was, in fact, common property in the fifteenth century, nay, even at a much earlier date, we might really be satisfied after having brought the germs of “Perrette” within easy reach of La Fontaine. But, fortunately, we can make at least one step further, a step of about two centuries. This step backwards brings us to the thirteenth century, and there we find our old Indian friend again, and this time really changed into a milkmaid. The book I refer to is written in Latin, and is called, “Dialogus Creaturarum optime moralizatus;” in English, the “Dialogue of Creatures moralized.” It was a book intended to teach the principles of Christian morality by examples taken from ancient fables. It was evidently a most successful book, and was translated into several modern languages. There is an old translation of it in English, first printed by Rastell,[34] and afterwards repeated in 1816. I shall read you from it the fable in which, as far as I can find, the milkmaid appears for the first time on the stage, surrounded already by much of that scenery which, four hundred years later, received its last touches at the hand of La Fontaine.