Chips from a German Workshop, Volume 4: Essays Chiefly on the Science of LanguageMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 4: Essays Chiefly on the Science of Language
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
If we simply transliterated the Gothic _augô_ into Sanskrit, we should
expect some word like +ohan+, nom. +ohâ+. The question is, may we take
the liberty, which many of the most eminent comparative philologists
allow themselves, of deriving Gothic, Greek, and Latin words from roots
which occur in Sanskrit, only, but which have left no trace of their
former presence in any other language? If so, then there would be little
difficulty in finding an etymology for the Gothic _augô_. There is in
Sanskrit a root +ûh+, which means to watch, to spy, to look. It occurs
frequently in the Veda, and from it we have likewise a substantive,
+oha-s+, look or appearance. If, in Sanskrit itself this root had
yielded a name for eye, such as +ohan+, the instrument of looking,
I should not hesitate for a moment to identify this Sanskrit word +ohan+
with the Gothic _augô_. No objection could be raised on phonetic
grounds. Phonetically the two words would be one and the same. But as in
Sanskrit such a derivation has not been found, and as in Gothic the root
+ûh+ never occurs, such an etymology would not be satisfactory. The
number of words of unknown origin is very considerable as yet in
Sanskrit, in Greek, in Latin, and in every one of the Aryan languages;
and it is far better to acknowledge this fact, than to sanction the
smallest violation of any of those phonetic laws, which some have called
the straight jacket, but which are in reality, the leading strings of
all true etymology.
If we now turn to grammar, properly so called, and ask what Comparative
Philology has done for it, we must distinguish between two kinds of
grammatical knowledge. Grammar may be looked upon as a mere art, and, as
taught at present in most schools, it is nothing but an art. We learn to
play on a foreign language as we learn to play on a musical instrument,
and we may arrive at the highest perfection in performing on any
instrument, without having a notion of thorough bass or the laws of
harmony. For practical purposes this purely empirical knowledge is all
that is required. But though it would be a mistake to attempt in our
elementary schools to replace an empirical by a scientific knowledge of
grammar, that empirical knowledge of grammar ought in time to be raised
to a real, rational, and satisfying knowledge, a knowledge not only of
facts, but of reasons; a knowledge that teaches us not only what grammar
is, but how it came to be what it is. To know grammar is very well, but
to speak all one’s life of gerunds and supines and infinitives, without
having an idea what these formations really are, is a kind of knowledge
not quite worthy of a scholar.
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