Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
History
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
But the chief interest of the book, for its admirers, lay not in
temporary allusions to the current politics and gossip. Furnishing these
were numerous pamphlets, more or less venomous, circulating stealthily,
despite all watchfulness and penalties. Next year, 1657, “Killing no
Murder” would come down, as if showered from the skies; but although
hundreds wished that somebody else might act on the suggestions, already
urged before this seditious tract appeared, not one volunteer felt called
upon to immolate himself to certain death on the instant by standing
forward as the required assassin. Cautious thinkers held it better to
bide their time, and await the natural progress of events, allowing all
the enemies of Charles and Monarchy to quarrel and consume each other.
Probably the bulk of country farmers and their labourers cared not one
jot how things fell out, so long as they were left without exorbitant
oppression; always excepting those who dwelt where recently the hoof
of war-horse trod, and whose fields and villages bore still the trace
of havoc. Otherwise, the interference with the Maypole dance, and such
innocent rural sports, by the grim enemies to social revelry, was felt to
be a heavier sorrow than the slaughter of their King.[3] So long as wares
were sold, and profits gained, Town-traders held few sentiments of favour
towards either camp. It was (owing to the parsimony of Parliament, and
his continual need of supplies to be obtained without their sanction,)
the frequency of his exactions, the ship-money, the forced loans, and the
uncertainty of ever gaining a repayment, which had turned many hearts
against King Charles I., in his long years of difficulty, before shouts
arose of “Privilege.” But for the cost of wasteful revels at Court, with
gifts to favourites, the expense of foreign or domestic wars, there would
have been no popular complaint against tyranny. Citizens care little
about questions of Divine Right and Supremacy, _pro_ or _con_, so long
as they are left unfettered from growing rich, and are not called on to
disgorge the wealth they swallowed ravenously, perhaps also dishonestly.
Some remembrance of this fact possessed the Cavaliers, even before George
Monk came to burst the city gates and chains. The Restoration confirmed
the same opinion, and the later comedies spoke manifold contempt against
time-serving traders; who cheated gallant men of money and land, but in
requital were treated like Acteon.
Although, in 1656, disquiet was general, amid contemporary records we may
seek far before we meet a franker and more manly statement of the honest
Englishman’s opinion, despising every phase of trickery in word, deed, or
visage, than the poem found in _Choyce Drollery_, p. 85,—“The Doctor’s
Touchstone.” There were, doubtless, many whose creed it stated rightly. A
nation that could feel thus, would not long delay to pluck the mask from
sanctimonious hypocrites, and drag “The Gang” from out their saddle.
Public-domain text, read in full here on John Shaqi.
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