Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors. — John Shaqi
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
History
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
J. W. E.
_June 1st, 1876._
EDITORIAL INTRODUCTION TO CHOICE DROLLERY: 1656.
_Charles._—“They say he is already in the forest of Arden, and
a many merry men with him; and there they live like the old
Robin Hood of England. They say many young gentlemen flock to
him every day, and fleet the time carelessly, as they did in
the golden world.”
(_As You Like It_, Act i. sc. 1.)
§ 1. _CHOYCE DROLLERY INHIBITED._
We may be sure the memory of many a Cavalier went back to that sweetest
of all Pastorals, Shakespeare’s Comedy of “As You Like It,” while he
clutched to his breast the precious little volume of _Choyce Drollery,
Songs and Sonnets_, which was newly published in the year 1656. He sought
a covert amid the yellowing fronds of fern, in some old park that had
not yet been wholly confiscated by the usurping Commonwealth; where,
under the broad shadow of a beech-tree, with the squirrel watching him
curiously from above, and timid fawns sniffing at him suspiciously a few
yards distant, he might again yield himself to the enjoyment of reading
“heroick Drayton’s” _Dowsabell_, the love-tale beginning with the magic
words “Farre in the Forest of Arden”—an invocative name which summoned
to his view the Rosalind whose praise was carved on many a tree. He
also, be it remembered, had “a banished Lord;” even then remote from his
native Court, associating with “co-mates and brothers in exile”—somewhat
different in mood from Amiens or the melancholy Jacques; and, alas! not
devoid of feminine companions. Enough resemblance was in the situation
for a fanciful enthusiasm to lend enchantment to the name of Arden (p.
73), and recall scenes of shepherd-life with Celia, the songs that echoed
“Under the greenwood-tree;” without needing the additional spell of
seeing “Ingenious Shakespeare” mentioned among “the Time-Poets” on the
fifth page of _Choyce Drollery_.
Not easily was the book obtained; every copy at that time being hunted
after, and destroyed when found, by ruthless minions of the Commonwealth.
A Parliamentary injunction had been passed against it. Commands were
given for it to be burnt by the hangman. Few copies escaped, when spies
and informers were numerous, and fines were levied upon those who
had secreted it. Greedy eyes, active fingers, were after the _Choyce
Drollery_. Any fortunate possessor, even in those early days, knew well
that he grasped a treasure which few persons save himself could boast.
Therefore it is not strange, two hundred and twenty years having rolled
away since then, that the book has grown to be among the rarest of the
_Drolleries_. Probably not six perfect copies remain in the world. The
British Museum holds not one. We congratulate ourselves on restoring it
now to students, for many parts of it possess historical value, besides
poetic grace; and the whole work forms an interesting relic of those
troubled times.
Public-domain text, read in full here on John Shaqi.
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