Christian Hymns of the First Three CenturiesMessenger, Ruth Ellis
Religion
Christian Hymns of the First Three Centuries
Messenger, Ruth Ellis
Hymns -- History and criticism
In view of the dearth of available material in English, it has seemed
timely to approach the whole subject from a new standpoint. In this
study, the extant hymnic sources will be presented objectively. Groups of
hymns will be used to illustrate the types current in the period. In
connection with them, the related historical and literary influences will
be noted.
Let us abandon at once our contemporary connotation of the word _hymn_
which is derived ultimately from the hymns of Ambrose, 340-397, that is,
a metrical lyric constructed in stanzas. In the pre-Ambrosian period
Christian hymns were largely of the psalm type, to be chanted in rhythmic
periods without rhyme. Not only should the word _hymn_ be conceived in
terms of ancient thought, but also the futile attempt to differentiate
among psalms, hymns and canticles should be avoided. Specialists in
liturgical matters testify to the confusion existing among ancient
writers in the use of these words and to the uncertainty of definition
which results.[4] It is better not to multiply difficulties but to hold
fast to the actual texts which we know were used in Christian worship.
II. Old Testament Hymns
At the threshold of Christianity the student crosses from the literary
environment of the Old Testament into that of the New. But in actual
practice the Hebrew psalms were never given up, and to this day are
treasured in every branch of the faith. In the early centuries they
formed the bulk of Christian hymnody. References to their use appear
throughout the New Testament and are familiar to all. And, moreover, the
influence of the Hebrew psalms upon the composition of new hymns is
apparent even in the Gospels.
Keeping these important facts in mind regarding the psalms, the student
may pass on to other hymnic sources in the Old Testament. Many striking
lyrical passages in the Hebrew scriptures, uttered or perhaps repeated in
moments of emotional fervor, were used by later worshippers to express a
similar attitude toward the Divine.[5] Among these may be cited the Songs
of Moses,
I will sing unto the Lord, for he hath triumphed gloriously (_Ex.
15:1-19_),
Give ear, O ye heavens, and I will speak; and hear, O earth, the words
of my mouth (_Deut. 32:1-43_);
Hannah's Song of Thanksgiving,
My heart rejoiceth in the Lord (_I Sam. 2:1-10_);
the great hymns in the Book of Isaiah,
Holy, holy, holy is the Lord of hosts (_Isa. 6:3_),
We have a strong city; salvation will God appoint for walls and
bulwarks (_Isa. 26:1-21_),
the second part of which begins,
With my soul have I desired thee in the night (_Isa. 26:9-21_);
Jonah's Song,
I cried by reason of my affliction unto the Lord (_Jonah 2:2-9_);
the Song of Habbakuk,
O Lord, I have heard thy speech, and was afraid (_Hab. 3:2-19_)
Public-domain text, read in full here on John Shaqi.
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