pronounce the name) is more than ordinarily small. The organ abused generally makes a speechifier of small worth, a talker for the mere sake of talking, who frequently loses sight of reason and subject as well as his own good sense.--Its best use is a felicity of diction in describing the sentiments and opinions of the individual so that they may be exactly comprehended by others. 12. FORM. This organ is situated in the corner of the eye next the nose, and when large there is a considerable breadth across the nose at that place: its chief use is in the accurate knowledge of form, whether of persons or objects, and disposes the mind to give a definite form to objects even when unseen: it is to this the acute observation of objects, by which means we compare them one with another, or personal identity after absence and probable change in the form of features: to this organ many distinguished sculptors and architects owe much of their excellence, as its necessary action in connection with other organs would be to express an accuracy of outline: it is to an excessive use of this organ that painters study correctness of form in drawing, and neglect colouring; useful to architects for this reason. 13. SIZE. The organ of size is situated at the corner of the eyebrow, next to individuality, and appears to influence the capability of the eye and mind in its motions of dimension: instances are known where persons deficient in this faculty have been unable to manage perspective in drawings, or even to copy the plainest figure without error in the size: others on the contrary measure size by the eye almost as accurately as by a rule, and are especially accurate in judging about dimensions--the organ is necessary for some professions, but not of great general importance. 14. WEIGHT. This faculty like the preceding, is shewn only in particular persons: the absence of it is rarely noticed, and the presence of it quite unseen except in some particular walks of life. It gives a power of measuring, and comprehending the resistance of bodies to forces applied to them, is useful in philosophic enquiry, engineering, architecture &c. 15. COLOURING.