Hroswitha’s humility had to stand the test of flattery from the literary world, and it stood it well. There are phrases scattered through her writings which evince how accurately she had gauged the shallowness of intellectual vanity, and how little hold it had upon her heart. “Often enough when curiosity is satisfied,” she writes, “we find nothing but sadness.” In the epistle prefixed to her prose dramas, she acknowledges the approbation which she has received from the learned with an unaffected simplicity. “I cannot sufficiently wonder,” she says, “that you who are so well versed in philosophy should judge the humble work of a simple woman worthy of your commendation. But when in your charity you congratulate me, it is the Dispenser of that grace which works in me that you praise, believing as you do that the little knowledge I possess is superior to the weakness of my sex. Hitherto, I have hardly ventured to show my rustic little productions to any one, but reassured by your opinion, I shall now feel more confidence in writing, if God give me the power. Yet I feel myself drawn by the two opposite sentiments of joy and fear. I rejoice from my heart to see God and His grace praised in me, but I fear lest men should think me greater than I am. I do not mean to deny that, aided by Divine grace, I have attained to a certain knowledge of the arts, for I am a creature capable of instruction as others are; but I confess that left to my own strength I should know nothing.” These extracts require no comment. They prove something more than the solid nature of the studies pursued in the convent school of Gandersheim. How skilfully had the teachers of Hroswitha contrived, whilst directing her intellectual labours, to preserve her womanly modesty, her almost childish naïveté, and her deep religious humility! Better things were included in their scheme of education than a mere knowledge of the liberal arts; the wisdom “whose beginning is the desire of discipline,” and into which “no defiled thing cometh.” Under their training the genius of the young poetess was guarded by the cloak of humility from the cunning moth of pride; and whilst we are amazed at her learned attainments, her modesty and candour at the same time conquer our hearts. And with this agreeable picture we will close our present chapter, trusting that the nun of Gandersheim may be allowed to have shed something of beauty and fragrance over the rugged annals of the Iron Age.[145] _CHAPTER XI._ THE SCHOOLS OF BEC. A.D. 1000 TO 1135.