But the Saxon poetry, even in its Christianised form, does not appear to have been _written down_ until the time of Alfred. Before any steps could be taken to form a literature, the language itself had to be laboriously reduced to grammatical rules. The Anglo-Saxon language, as it exists in the literature of a later period, is of extremely complex construction, far richer in grammatical inflexion than our modern English. But in its barbarous state, as we read it in the early fragments of the bardic poems, it was a barren combination of verbs, nouns, and pronouns, and nouns freely used in an adjective and verbal sense, and entirely destitute of all the smaller particles. The change it underwent during the two centuries that preceded the time of Alfred was the transformation of a barbarous dialect into a finished grammatical language, and this change was mainly effected by the labours of the monks. Nor is it mere matter of conjecture that Bede had a considerable share in this great work. He was probably the first who applied himself to it, and has himself let us know the reasons which induced him to undertake the translation of certain familiar forms of prayer into the native dialect. In 734, Archbishop Egbert, who then presided over the school of York, having invited him thither, Bede accepted the invitation, as he says, “for the sake of reading,” the York library offering temptations not to be resisted. He stayed there some months, teaching in the archbishop’s school; and would have repeated his visit in the following year had not his declining health rendered this impossible. To excuse the failure of his promise, he addressed a long and interesting letter to Egbert, in which, among other things, he suggests the appointment of priests to the rural districts, who should be diligent in instructing the peasantry, and who should teach them the Creed and the Our Father in their own tongue, “which,” he adds, “I have myself translated into English for the benefit of those priests who are not familiar with the vernacular.”[60] But the translation of these prayers was a very small part of his labours; he had, as we have already said, made an Anglo-Saxon version of the Psalter and the Gospels, and on this latter work he was engaged up to the day of his death. This we learn from the beautiful letter written by his pupil Cuthbert to a fellow reader and schoolfellow Cuthwin, which, often as it has been quoted, we cannot here omit. After speaking of the way in which his beloved master had spent the whole of his life, cheerful and joyful, and giving thanks to God day and night; and how he daily read lessons to his disciples even to within a fortnight of his death, he relates how the saint admonished them to prepare for death, “and being learned in our poetry,” quoted some things in the English tongue; how, according to his custom, he often sung antiphons, specially that belonging to the season of the Ascension which then drew nigh, beginning “O Rex