Nearly all writers on the topography of Athens derive their materials from Pausanias, who visited the city in the early part of the second century, and whose "Itinerary of Greece" is still extant.[13] He entered the city by the Peiraic gate, the same gate at which Paul entered some sixty years before. We shall place ourselves under his guidance, and, so far as we are able, follow the same course, supplying some omissions, as we go along, from other sources. On entering the city, the first building which arrested the attention of Pausanias was the Pompeium, so called because it was the depository of the sacred vessels, and also of the garments used in the annual procession in honor of Athena (Minerva), the tutelary deity of Athens, from whom the city derived its name. Near this edifice stood a temple of Demeter (Ceres), containing statues of that goddess, of her daughter Persephone, and of Iacchus, all executed by Praxiteles; and beyond were several porticoes leading from the city gates to the outer Ceramicus, while the intervening space was occupied by various temples, the Gymnasium of Hermes, and the house of Polytion, the most magnificent private residence in Athens. [Footnote 13: The account here given of the topography of Athens is derived mainly from the article on "Athens" in the _Encyc. Brit._] There were two places in Athens known by the name of Ceramicus, one without the walls, forming part of the suburbs; and the other within the walls, embracing a very important section of the city. The outer Ceramicus was covered with the sepulchres of the Athenians who had been slain in battle, and buried at the public expense; it communicated with the inner Ceramicus by the gate Dipylum. The Ceramicus within the city probably included the Agora, the Stoa Basileios, and the Stoa Pœcile, besides various other temples and public buildings. Having fairly passed the city gates, a long street is before us with a colonnade or cloister on either hand; and at the end of this street, by turning to the left, we might go through the whole Ceramicus to the open country, and the groves of the Academy. But we turn to the right, and enter the Agora,--the market-place, as it is called in the English translation of the sacred narrative.