361). The CRUCIFIX, or cross with human figure stretched upon it, is also found in ancient times, although not so frequently as the simple cross. The crucifix appears to have arisen from the circle of the horizon being divided into four parts, North, South, East, and West, and the Sun-god, drawn within, or on, the circle, came into contact with each cardinal point, his feet and head touching, or intersecting, two, while his outstretched arms point to the other quarters. Plato says that the "next power to the Supreme God was decussated, or figured in the shape of a cross, on the universe." Krishna is painted and sculptured on a cross. The Egyptians thus drew Osiris, and sometimes we find a circle drawn with the dividing lines, and in the midst is stretched the dead body of Osiris. Robert Taylor gives another origin for the crucifix: "The ignorant gratitude of a superstitious people, while they adored the river [Nile] on whose inundations the fertility of their provinces depended, could not fail of attaching notions of sanctity and holiness to the posts that were erected along its course, and which, by a _transverse beam_, indicated the height to which, at the spot where the beam was fixed, the waters might be expected to rise. This cross at once warned the traveller to secure his safety, and formed a standard of the value of land. Other rivers may add to the fertility of the country through which they pass, but the Nile is the absolute cause of that great fertility of the Lower Egypt, which would be all a desert, as bad as the most sandy parts of Africa without this river. It supplies it both with soil and moisture, and was therefore gratefully addressed, not merely as an ordinary river-god, but by its express title of the Egyptian Jupiter. The crosses, therefore, along the banks of the river would naturally share in the honour of the stream, and be the most expressive emblem of good fortune, peace, and plenty. The two ideas could never be separated: the fertilising flood was the _waters of life_, that conveyed every blessing, and even existence itself, to the provinces through which they flowed. One other and most obvious hieroglyph completed the expressive allegory. The _Demon of Famine_, who, should the waters fail of their inundation, or not reach the elevation indicated by the position of the transverse beam upon the upright, would reign in all his horrors over their desolated lands. This symbolical personification was, therefore, represented as a miserable emaciated wretch, who had grown up 'as a tender plant, and as a root out of a dry ground, who had no form nor comeliness; and when they should see him, there was no beauty that they should desire him.' Meagre were his looks; sharp misery had worn him to the bone. His crown of thorns indicated the sterility of the territories over which he reigned. The reed in his hand, gathered from the banks of the Nile, indicated that it was only the mighty river, by keeping within its banks, and thus