“That was _mesquin,”_ said his judges; “the poetry of painting required abstract trees, at metaphysical distance, not the various trees of nature, as they appear under positive accidents.” On this Mr. Gatty had deluged them with words. “When it is art, truth, or sense to fuse a cow, a horse, and a critic into one undistinguishable quadruped, with six legs, then it will be art to melt an ash, an elm, and a lime, things that differ more than quadrupeds, into what you call abstract trees, that any man who has seen a tree, as well as looked at one, would call drunken stinging-nettles. You, who never look at nature, how can you judge the arts, which are all but copies of nature? At two hundred yards' distance, full-grown trees are more distinguishable than the animal tribe. Paint me an abstract human being, neither man nor a woman,” said he, “and then I will agree to paint a tree that shall be no tree; and, if no man will buy it, perhaps the father of lies will take it off my hands, and hang it in the only place it would not disgrace.” In short, he never left off till he had crushed the non-buyers with eloquence and satire; but he could not crush them into buyers--they beat him at the passive retort. Poor Gatty, when the momentary excitement of argument had subsided, drank the bitter cup all must drink awhile, whose bark is alive and strong enough to stem the current down which the dead, weak things of the world are drifting, many of them into safe harbors. And now he brought out his picture with a heavy heart. “Now,” said he to himself, “this gentleman will talk me dead, and leave me no richer in coin, and poorer in time and patience.” The picture was placed in a light, the visitor sat down before it. A long pause ensued. “Has he fainted?” thought Gatty, ironically; “he doesn't gabble.” “If you do not mind painting before me,” said the visitor, “I should be glad if you would continue while I look into this picture.” Gatty painted. The visitor held his tongue. At first the silence made the artist uneasy, but by degrees it began to give him pleasure; whoever this was, it was not one of the flies that had hitherto stung him, nor the jackdaws that had chattered him dead. Glorious silence! he began to paint under its influence like one inspired. Half an hour passed thus. “What is the price of this work of art?” “Eighty pounds.” “I take it,” said his visitor, quietly. What, no more difficulty than that? He felt almost disappointed at gaining his object so easily. “I am obliged to you, sir; much obliged to you,” he added, for he reflected what eighty pounds were to him just then. “It is my descendants who are obliged to you,” replied the gentleman; “the picture is immortal!” These words were an epoch in the painter's life. The grave, silent inspection that had preceded them, the cool, deliberate, masterly tone in which they were said, made them oracular to him. Words of such import took him by surprise.