The Nuremberg master had been spending the winter in the Low Countries, paying his respects to the Regent at Malines, and conversing with Erasmus of Rotterdam and Lucas van Leyden. He was starting on his journey home, when, on the Feast of the Visitation, he was sent for by the King of Denmark, who received him very graciously, and asked him to dine at his table and to take his portrait. So great was the interest which Christian showed in the painter's work, that Dürer gave him a fine set of his prints, which are still preserved in the museum at Copenhagen, and accepted an invitation to accompany him to Brussels the next day. Thus Albert Dürer was a witness of the meeting between Christian and his brother-in-law Charles V., who had just arrived from his coronation at Aix-la-Chapelle, and had been received with great rejoicing by his subjects. At five that summer evening Charles rode out from Brussels at the head of a brilliant cavalcade, and met his royal brother-in-law in a meadow, where they embraced each other and conversed with the help of an interpreter, Christian speaking in German, and Charles in French. They entered Brussels after sunset, and found the streets hung with tapestries and lighted with innumerable torches and bonfires. The Emperor escorted Christian to the Count of Nassau's palace on the top of the hill, which Dürer describes as the finest house that he had ever seen. The next morning Charles brought his guest to the palace gates, where the Regent and Germaine de Foix, King Ferdinand's widow, were awaiting them, and for the first time Margaret came face to face with her niece's husband. Christian kissed the two ladies in French fashion, and after dinner the two Princes spent the evening dancing with the Court ladies. "Now," wrote the Venetian Ambassador, Gaspare Contarini, "at two hours after dark, they are still dancing, for young monarchs such as these are not easily tired."[30]