They followed their luggage down into the hall; but as she went, at
every step, the lady looked around her. She dreaded the sight of that
porter of the night; she feared lest some potential authority of the
hotel should come to her and ask her some horrid question; but of all
her fears her greatest fear was that there should arise before her an
apparition of that face which she had seen recumbent on its pillow.
As they passed the door of the great salon, Mr. Brown looked in. “Why,
there it is still!” said he.
“What?” said she, trembling in every limb.
“The mustard pot.”
“They have put it in there since,” she exclaimed, energetically, in her
despair. “But never mind. The omnibus is here. Come away.” And she
absolutely took him by the arm.
But at that moment a door behind them opened, and Mrs. Brown heard
herself called by her name. And there was the night porter--with a
handkerchief in his hand. But the further doings of that morning must be
told in a farther chapter.
CHAPTER IV.
MRS. BROWN DOES ESCAPE.
It had been visible to Mrs. Brown from the first moment of her arrival
on the ground floor that “something was the matter,” if we may be
allowed to use such a phrase; and she felt all but convinced that this
something had reference to her. She fancied that the people of the hotel
were looking at her as she swallowed, or tried to swallow, her coffee.
When her husband was paying the bill there was something disagreeable in
the eye of the man who was taking the money. Her sufferings were very
great, and no one sympathized with her. Her husband was quite at his
ease, except that he was complaining of the cold. When she was anxious
to get him out into the carriage, he still stood there, leisurely
arranging shawl after shawl around his throat. “You can do that quite as
well in the omnibus,” she had just said to him, very crossly, when there
appeared upon the scene through a side door that very night porter whom
she dreaded with a soiled pocket-handkerchief in his hand.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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