After this charming prelude is over, Rosalind comes into the study, and
studies for the fortieth time the effect of the new design of decoration
which she had this year worked out, and which gives these rather somber
rows of books a homelike and festive aspect. It pleases me to note the
spray of holly that obscures the title of Bacon's solemn and weighty
"Essays," and I get half a page of suggestions for my notebook from the
fact that a sprig of mistletoe has fallen on old Burton's "Anatomy of
Melancholy." Rosalind has reason to be satisfied, and if I read her face
aright she has succeeded even in her own eyes in bringing Christmas,
with its fragrant memories and its heavenly visions, into the study. I
cannot help thinking, as I watch her piling up the fire for a blaze of
unusual splendor, that if more studies had their Rosalinds to bring in
the genial currents of life there would be more cheer and hope and
large-hearted wisdom in the books which the world is reading to-day.
When the fire has reached a degree of intensity and magnitude which
Rosalind thinks adequate to the occasion, I take down a well-worn volume
which opens of itself at a well-worn page. It is a book which I have
read and re-read many times, and always with a kindling sympathy and
affection for the man who wrote it; in whatever mood I take it up there
is something in it which touches me with a sense of kinship. It is not a
great book, but it is a book of the heart, and books of the heart have
passed beyond the outer court of criticism before we bestow upon them
that phrase of supreme regard. There are other books of the heart around
me, but on Christmas Eve it is Alexander Smith's "Dreamthorp" which
always seems to lie at my hand, and when I take it up the well-worn
volume falls open at the essay on "Christmas." It is a good many years
since Rosalind and I began to read together on Christmas Eve this
beautiful meditation on the season, and now it has gathered about itself
such a host of memories that it has become part of our common past. It
is, indeed, a veritable palimpsest, overlaid with tender and gracious
recollections out of which the original thought gains a new and subtle
sweetness. As I read it aloud I know that she sees once more the
familiar landscape about Dreamthorp, with the low, dark hill in the
background, and over it "the tender radiance that precedes the moon";
the village windows are all lighted, and the "whole place shines like a
congregation of glowworms." There are the skaters still "leaning against
the frosty wind"; there is the "gray church tower amid the leafless
elms," around which the echoes of the morning peal of Christmas bells
still hover; the village folk have gathered, "in their best dresses and
their best faces"; the beautiful service of the church has been read and
answered with heartfelt responses, the familiar story has been told
again simply and urgently, with applications for every thankful soul,
Public-domain text, read in full here on John Shaqi.
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