When I returned to the drawing-room, I found the company seated around
the fire, listening to the parson, who was deeply ensconced in a
high-backed oaken chair. From this venerable piece of furniture, with
which his shadowy figure and dark weazen face so admirably accorded, he
was dealing forth strange accounts of popular superstitions and legends
of the surrounding country, with which he had become acquainted in the
course of his antiquarian researches. He gave us several anecdotes of
the fancies of the neighbouring peasantry, concerning the effigy of the
crusader which lay on the tomb by the church altar. It was said to get
up from the tomb and walk the rounds of the churchyard in stormy nights,
particularly when it thundered. Some talked of gold and jewels buried in
the tomb, over which the spectre kept watch; and there was a story
current of a sexton in old times who endeavoured to break his way to the
coffin at night; but just as he reached it, received a violent blow from
the marble hand of the effigy, which stretched him senseless on the
pavement. From these and other anecdotes that followed, the crusader
appeared to be the favourite hero of ghost stories throughout the
vicinity.
Whilst we were all attention to the parson’s stories, our ears were
suddenly assailed by a burst of heterogeneous sounds from the hall, in
which was mingled something like the clang of rude minstrelsy, with the
uproar of many small voices and girlish laughter. The door suddenly flew
open, and a train came trooping into the room, that might almost have
been mistaken for the breaking up of the court of Fairy. That
indefatigable spirit, Master Simon, in the faithful discharge of his
duties as Lord of Misrule, had conceived the idea of a Christmas
mummery, or masking. The old housekeeper had been consulted; the antique
clothes-presses and wardrobes rummaged and made to yield up the relics
of finery that had not seen the light for several generations.
[Illustration: Master Simon led the van]
Master Simon led the van, as ‘ancient Christmas,’ quaintly apparelled in
a ruff, a short cloak, which had very much the aspect of one of the old
housekeeper’s petticoats, and a hat that might have served for a village
steeple, and must indubitably have figured in the days of the
Covenanters. From under this his nose curved boldly forth, flushed with
a frost-bitten bloom, that seemed the very trophy of a December blast.
He was accompanied by the blue-eyed romp, dished up as ‘Dame Mince-Pie,’
in the venerable magnificence of faded brocade, long stomacher, peaked
hat, and high-heeled shoes. The rest of the train had been metamorphosed
in various ways; the girls trussed up in the finery of the ancient
belles of the Bracebridge line, and the striplings bewhiskered with
burnt cork, and gravely clad in broad skirts, hanging sleeves, and
full-bottomed wigs, to represent characters celebrated in ancient
maskings.
Public-domain text, read in full here on John Shaqi.
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