Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporariesHood, Edwin Paxton
History
Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporaries
Hood, Edwin Paxton
Evans, Christmas, 1766-1838
Then, in England, we are better acquainted with Daniel Williams, the
founder of what is called Dr. Williams’s Library; and who, in addition to
this magnificent bequest, left sums of money to Wales for schools,
endowments of ministers, annual grants of Bibles, and religious books,
and for widows of ministers; by which Wales has received since, and
receives now, the sum of about £700 a year. His ministry, however, was
in London, at Hand Alley, Bishopsgate Street, nearly two hundred years
since. His works are contained in six octavo volumes; but he scarcely
falls beneath the intention of these pages.
Besides these, there are many others; so that, as we said above, the name
of Williams represents, not only a large family, but a family remarkable
for Christian usefulness in Wales. But, in this catalogue of eminent
preachers, Williams of Wern, among those of his name, is singularly
eminent. He had that power, to which we have referred, of using his
language in such a manner, that people, in a very awful way, realized the
scenes he described. Dr. Rees mentions of him, that when preaching on
the resurrection of the dead, from the window of Ynysgan Chapel, Merthyr
Tydvil, he so riveted the attention of the vast multitude, who were on
the burying-ground before him, that when he reached the climax, all the
crowd moved together in terror, imagining that the graves under their
feet were bursting open, and the dead rising. Yet Williams was a
singularly quiet preacher; these effects were wrought by the power of
that language, so wonderfully fitted to work on the emotions of a very
imaginative people, and which he knew how to play upon so well.
This great preacher had quite as remarkable an individuality as either of
the eminent men, whose characters we may attempt faintly to portray.
Christmas Evans, we have seen, led his hearers along through really
dramatic, and pictorial representations. Davies was called the “Silver
Trumpet” of Wales; his voice was an instrument of overwhelming compass,
and sweetness. Elias was a man of severe, and passionate eloquence,—all
the more terrible, because held in the restraint of a perfect, and
commanding will. Williams differed from all three; nor must it, for a
moment, be said that he “attained not to the first three.” His eminence
was equal to theirs, and, in his own walk, he was quite as highly
esteemed; but his department of power was completely different. Perhaps,
he was less the vehicle of vehement passion than either Elias, or Davies;
and it was altogether apart from his purpose to use the amazing imagery
of Christmas Evans. His mind was built up of compacted thought; his
images were not personifications, but analogies. So far as we are able
to form a conception of him, his mind appears to have moved in a pathway
of self-evidencing light.
Public-domain text, read in full here on John Shaqi.
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