Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporariesHood, Edwin Paxton
History
Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporaries
Hood, Edwin Paxton
Evans, Christmas, 1766-1838
It is so _literal_ that the competent hearer, or reader, instantly
realizes, from its words, things. Well do we remember sitting in Wales
with a group of Welsh ministers and Welshmen round a pleasant tea-table;
we were talking of the Welsh language, and one of our company, who had
perhaps done more than any one of his own country for popular Welsh
literature, and was one of the order of eminent Welsh preachers of whom
we are speaking, broke forth: “Oh!” he said, “you English people cannot
see all the things in your Bible that a Welshman can see; now your word
‘_blessed_,’ it seems a very dear sweet thing to an Englishman and to a
Welshman, but a Welshman sees the _thing_ in the word, ‘_Gwyn ei fyd_,’
that is, ‘_a white world_—white,’ literally, white their world; so a
Welshman would see there is a ‘_white world_’ for the pure in heart, a
‘_white world_’ for the poor in spirit, a ‘_white world_’ for them who
are reviled and persecuted for righteousness’ sake; and when you read,
‘_Blessed_ is the man unto whom the Lord imputeth not iniquity,’ the
Welshman reads his Bible and sees there is a ‘_white world_’ for such a
one, that is, all sin wiped out, the place quite clean, to begin again.”
This is not all. We are not intending to devote any considerable space
to a vindication of the Welsh language, but, when we speak of it with
reference to the effects it produces as the vehicle of Oratory, it is
necessary to remark that, so far from being,—as many have supposed who
have only looked at it in its strange combination of letters on a page,
perhaps unable to read it, and never having heard it spoken,—so far from
being harsh and rugged, coarse or guttural, it probably yields to no
language in delicious softness, in melting sweetness; in this it has been
likened to the Italian language by those who have been best able to
judge. Lord Lyttleton, in his “Letters from Wales,” says, that when he
first passed some of the Welsh hills, and heard the harp and the
beautiful female peasants accompanying it with their melodious voices, he
could not help indulging in the idea that he had descended the Alps, and
was enjoying the harmonious pleasures of the Italian Paradise. And as we
have already said, there has long prevailed an idea that the Welsh
language is a multitude of consonants; but indeed the reverse is the
case; the learned Eliezer Williams says, in his “Historical Anecdotes of
the Welsh Language,” “The alphabet itself demonstrates that the charge of
a multiplicity of consonants is fallacious, since, whether the number of
letters be reckoned twenty-two or twenty-four, seven are vowels; there
remain therefore a more inconsiderable number than most of the European
languages are obliged to admit . . . . _Y_ and _w_ are considered as
vowels, and sounded as such; _w_ is pronounced like _o u_ in French in
the word _oui_.” To persons ignorant of the language, how strange is the
appearance, and how erroneous the idea of the sound to be conveyed by
Public-domain text, read in full here on John Shaqi.
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