So I summed up my new resolves:
Too much love there can never be.
And where the intellect devolves
Its function on love exclusively,
I, a man who possesses both,
Will accept the provision, nothing loth,
--Will feast my love, then depart elsewhere,
That my intellect may find its share.
And ponder, O soul, the while thou departest,
And see them applaud the great heart of the artist,
Who, examining the capabilities
Of the block of marble he has to fashion
Into a type of thought or passion,--
Not always, using obvious facilities,
Shapes it, as any artist can,
Into a perfect symmetrical man,
Complete from head to foot of the life-size,
Such as old Adam stood in his wife's eyes,--
But, now and then, bravely aspires to consummate
A Colossus by no means so easy to come at,
And uses the whole of his block for the bust,
Leaving the mind of the public to finish it,
Since cut it ruefully short he must:
On the face alone he expends his devotion,
He rather would mar than resolve to diminish it,
--Saying, "Applaud me for this grand notion
"Of what a face may be! As for completing it
"In breast and body and limbs, do that, you!"
All hail! I fancy how, happily meeting it,
A trunk and legs would perfect the statue,
Could man carve so as to answer volition.
And how much nobler than petty cavils,
Were a hope to find, in my spirit-travels,
Some artist of another ambition,
Who, having a block to carve, no bigger,
Has spent his power on the opposite quest,
And believed to begin at the feet was best--
For so may I see, ere I die, the whole figure!
XIII
No sooner said than out in the night!
My heart lighter and more light:
And still, as before, I was walking swift,
With my senses settling fast and steadying,
But my body caught up in the whirl and drift
Of the vesture's amplitude, still eddying
On just before me, still to be followed,
As it carried me after with its motion,
--What shall I say?--as a path, were hollowed,
And a man went weltering through the ocean,
Sucked along in the flying wake
Of the luminous water-snake.
XIV
Public-domain text, read in full here on John Shaqi.
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