Pattie Batch was lovely. Everybody knew it; and there's no denying it.
Grief had not left her wan and apathetic. She had been "a little man."
She had been so much of a little man that she was now much more of a
little woman than ever she had been before. In respect to her bewitching
endearments, there's no mincing matters, at all. It would shame a man to
'hem and haw and qualify. She was adorable. Beauty of youth and heart of
tenderness: a quaint little womanly child of seventeen--gowned, now, in
a black dress, long-skirted, to be sure! of her mother's old-fashioned
wearing. Gray eyes, wide, dark-lashed, sun-sparkling and shadowy, and
willful dark hair, a sweetly tilted little nose, a boyish, masterful
way, coquettish twinkles, dimples in most perilous places, rosy cheeks,
a tender little figure, an aristocratic toss to her head: why,
indeed--the catalogue of her charms has no end to it! Courage to boot,
too--as though youth and loveliness were not sufficient endowment--and
uncompromising honesty with herself and all the world. She took in
washing from the camps: there was nothing else to do, with Gray Billy
Batch lost in Rattle Water, and now decently stowed away by the Reverend
John Fairmeadow. It was lonely in Gray Billy Batch's cabin, now, of
course; it was sometimes almost intolerably so--and ghostly, too, with
echoes of long-past footsteps and memories of soft motherly words.
Pattie Batch, however, a practical little person, knew in her own mind,
you must be informed, exactly how to still the haunting echoes and
transform the memories into blessed companions of her busy, gentle
solitude; but she had not as yet managed the solution.
Public-domain text, read in full here on John Shaqi.
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