Transcriber’s Note Italic text displayed as: _italic_ [Illustration: Waterfront and buildings] CHRISTMAS IN CHICAGO BY FANNY BUTCHER WITH ILLUSTRATIONS BY THERESA GARRETT ELIOT [Illustration: Dancers] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1926 COPYRIGHT, 1926, BY FANNY BUTCHER ALL RIGHTS RESERVED The Riverside Press CAMBRIDGE · MASSACHUSETTS PRINTED IN THE U.S.A. [Illustration: Street scene] CHRISTMAS IN CHICAGO A flare of lights. A giant tree tapering up and up until it seems to melt into the sky, except that the glittering star which crowns it puts to shame the gentle glimmerings in the background of the blue-black heavens. Spangles, like a circus-rider’s dress, flutter in the swish of air, blaze out in the footlight glare of the barrage of lights which are turned on the tree. The family Christmas tree giganticized to a tree for the family of the great city. And underneath, thousands upon thousands of human beings tramping about in the snow, listening to a band, watching the fluttering bangles of the spectacular tree. A river of motors slowly flowing past the picture–slowly, whether they will or no, for there is no hurrying in the mass that drives down to see the tree. In the mêlée that worms about beneath the tree there are men and women from the four corners of the earth. There are faces moulded in such fantastically different casts that you cannot but wonder how mankind can be all one mankind. There are voices thick with the gutturals of Middle Europe, soft with the sunshine of the South, and heavy with the interminable consonants of the North. There is a medley of sound, human voices of all the tones of the earth’s surface doing that peculiarly unmusical feat of all talking at once, and being heightened rather than subdued by the din of the band trying to be heard in a bellowing of that gentle lullaby ‘Heilige Nacht.’ And the overtone is always the honking of impatient motorists or gayly inclined ones who feel that the best way to express approval in modern life is to make as loud and raucous a noise as possible. And all over the city, in its endless miles of boulevards and parks, little brothers of the great tree are glittering against the sky. And underneath those others, as underneath the great tree itself, mankind swishes and huddles and gazes and talks. Miles and miles apart they are, from the steel mills on the south painting the sky a flame red to the fastnesses of suburban sobriety and sedateness on the north, from the vast new bungalow-studded southwest to the factory-dotted northwest merging into two-flat buildings and inter-urbaned real estate plots.