In "The Bend" the philanthropist undertaker who "buries for what he
can catch on the plate" hails the Yule-tide season with a pyramid of
green made of two coffins set on end. It has been a good day, he says
cheerfully, putting up the shutters; and his mind is easy. But the
"good days" of The Bend are over, too. The Bend itself is all but gone.
Where the old pig-sty stood, children dance and sing to the strumming
of a cracked piano-organ propelled on wheels by an Italian and his
wife. The park that has come to take the place of the slum will curtail
the undertaker's profits, as it has lessened the work of the police.
Murder was the fashion of the day that is past. Scarce a knife has been
drawn since the sunlight shone into that evil spot, and grass and green
shrubs took the place of the old rookeries. The Christmas gospel of
peace and good-will moves in where the slum moves out. It never had a
chance before.
The children follow the organ, stepping in the slush to the music,
bareheaded and with torn shoes, but happy; across the Five Points and
through "the Bay,"--known to the directory as Baxter Street,--to "the
Divide," still Chatham Street to its denizens, though the aldermen have
rechristened it Park Row. There other delegations of Greek and Italian
children meet and escort the music on its homeward trip. In one of the
crooked streets near the river its journey comes to an end. A battered
door opens to let it in. A tallow dip burns sleepily on the creaking
stairs. The water runs with a loud clatter in the sink: it is to keep
it from freezing. There is not a whole window pane in the hall. Time
was when this was a fine house harboring wealth and refinement. It has
neither now. In the old parlor downstairs a knot of hard-faced men and
women sit on benches about a deal table, playing cards. They have a
jug between them, from which they drink by turns. On the stump of a
mantel-shelf a lamp burns before a rude print of the Mother of God. No
one pays any heed to the hand-organ man and his wife as they climb to
their attic. There is a colony of them up there--three families in four
rooms.
Public-domain text, read in full here on John Shaqi.
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