This is the ancient Hôtel de Nesmond. In the broad light of day it
has quite a different aspect. The words "Office," "Store," "Entrance
to the work-rooms," in bright gilt letters, seem to rejuvenate
the old walls and infuse a new life into them. The drays from the
railroad shake the iron portals as they rumble through, and the
clerks step out on the landing to receive the goods. The court is
obstructed with cases, baskets, straw, wrappers, and pack-cloth. One
is conscious of being in a factory. But at night, in the death-like
stillness, with the winter moon casting and tangling fantastic
shadows through the confused intricacy of all these roofs, the old
dwelling of the Nesmonds resumes its lordly air. The court of honor
seems to expand; the wrought-iron of the balconies looks like fine
lace; the old stairway is full of shadows in the uncertain light, of
mysterious recesses like those of a cathedral; there are empty niches
and half concealed steps that suggest an altar.
On this particular night M. Majesté is deeply impressed with the
grandeur of his dwelling. The echo of his own footsteps startles
him as he crosses the great deserted court. The stairway seems even
broader than usual, and peculiarly heavy to climb. But that is the
Christmas supper, no doubt. At the first landing he stops to take
breath; he leans on one of the window-sills. So much for living in
a historic mansion! M. Majesté is certainly not a poet, oh, no! and
still as he gazes around him at this lordly old place, which seems to
be sleeping so peacefully under its benumbed, snow-hooded roofs, as
he looks down into this grand, aristocratic old court which the moon
floods with a bluish light, weird fancies flash through his brain.
"Suppose the Nesmonds should take it into their heads to come back,
eh?"
Public-domain text, read in full here on John Shaqi.
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