After passing the drawbridge and the postern, in order to reach
the chapel, one had to cross the first court, crowded with coaches,
footmen, sedan-chairs, and bright with the flame of torches and the
glare from the kitchens. One could hear the clicking of the spits,
the rattling of pots, the tinkling of crystal and silver, as they
were laid out for the banquet; and above it all floated a warm vapor
smelling of roasted meats and the pungent herbs of complicated
sauces, which made the farmers, as well as the chaplain, the bailiff,
and everybody say,--
"What a good supper we shall have after Mass!"
II.
Ding, ling, ling! Ding, ling, ling!
Midnight Mass has begun. In the chapel of the castle, which is a
miniature cathedral, with intercrossed arches and oaken wainscoting
up to the ceiling, all the tapestries are hung, all the tapers
lighted. What a crowd of people, and what sumptuous costumes! Here,
in one of the carven stalls that surround the choir, sits the Sire
of Trinquelague, clad in salmon-colored silk, and around him all the
noble lords, his guests. Opposite them, on velvet fall-stools, kneel
the old dowager Marchioness, in a gown of flame-colored brocade, and
the young lady of Trinquelague, wearing on her pretty head a great
tower of lace puffed and quilled according to the latest fashion at
the court of France. Farther down the aisle, all dressed in black,
with vast pointed wigs and cleanly shaven chins, sit Thomas Arnoton
the bailiff, and the notary, Master Ambroy, two sombre spots amid
the high colors of silks and brocaded damasks. Then come the fat
major-domos, the pages, outriders, the stewards, Dame Barbe with her
great bunch of keys dangling from her side on a ring of fine silver.
On the benches in the rear is the lower service,--butlers, maids, the
farmers and their families. And last of all, far back against the
doors, which they discreetly open and close, come the cooks, between
two sauces, to catch a little whiff of the Mass, bringing with them
into the bedecked church, warm with the light of so many tapers,
odoriferous suggestions of the Christmas supper.
Can it be the sight of these crisp white caps that diverts the
reverend father's attention? Or is it not rather Garrigou's
bell?--that fiendish little bell that tinkles away at the foot of the
altar with such infernal haste, and seems to be saying,--
"Come, come, let us hurry! The sooner we despatch the service, the
sooner we go to supper."
Public-domain text, read in full here on John Shaqi.
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