Christmas under three flags : $b Being memories of holiday festivities in the White House with "Old Hickory," in the palace of H. R. H. Prince of Prussia, afterwards Emperor William I., and at the Alamo with the Alcalde's daughter — John Shaqi
Christmas under three flags : $b Being memories of holiday festivities in the White House with "Old Hickory," in the palace of H. R. H. Prince of Prussia, afterwards Emperor William I., and at the Alamo with the Alcalde's daughterWilcox, Mary Emily Donelson
History
Christmas under three flags : $b Being memories of holiday festivities in the White House with "Old Hickory," in the palace of H. R. H. Prince of Prussia, afterwards Emperor William I., and at the Alamo with the Alcalde's daughter
Wilcox, Mary Emily Donelson
Christmas stories
The Prince’s palace was built during the Great Frederic’s reign,
and it is recorded that when the architect applied for a design the
King, who was out of humor, said, pointing to a mahogany bureau with
a zigzag front standing near: “Model it after that, adding as little
architectural frippery as possible.” In front stands Rauch’s famous
statue of the great ruler, nearby is the Alter Schloss, city residence
of Prussian monarchs, the new Opera House, and many handsome public
buildings.
Christmas Eve, 1847, though bitter cold, was bright and sunny, the
air clear and crisp was musical with sleigh bells, and the streets,
though ice bound, were gay with rejoicing crowds evidently imbued
with holiday influences. Directly after breakfast we went to the
Thiergarten Lake to witness the delightful entertainment given there
daily by Berlin’s far-famed Skating Club. The lake, large, smooth,
solid, mirroring a translucent sky, seemed with its banks lined with
brilliantly costumed spectators, to suggest and invite winter sport.
A military band, sheltered in a warm enclosure, played a succession
of inspiring airs, trained voices often joining in and enthusing both
onlookers and performers. The skaters executing many picturesque
movements, artistic pantomimes, exciting games, and dancing polkas,
mazurkas, cotillions, waltzes, were reputed the most skilful in
the world. Meyerbeer, who was a frequent visitor, is said to have
conceived there the beautiful skating scene in the opera _Le Prophete_
he was then composing. The costumes of the skaters were tasteful and
appropriate, the girls wearing short, narrow, heavy cloth skirts, with
tight fitting bodices, snug hoods or hats, and a profusion of bright
bows, rosettes and scarfs. The men were mostly in uniform, their
gay sashes, brilliant orders and decorations enhancing the charm of
their lithe, graceful figures. There were no accidents, no untoward
occurrences, and the glorious morning proved a delightful prelude
to an unforgetable evening. Fraulein von Boyen had given us minute
directions as to our costumes and the prescribed etiquette, saying:
“Dress simply and inexpensively, be careful never to turn your backs on
royal personages, never address remarks or questions to them, allowing
them the initiative in conversation.”
Promptly at three o’clock we alighted at the palace _porte cochere_,
and ascending the marble steps, at the top and bottom of which stood
armed sentinels, were received by liveried ushers and conducted through
the beautiful hall and up the flower-lined stairs to the state drawing
rooms where a lady-in-waiting met us and accompanied us through a
number of superbly-furnished, beautifully-decorated rooms to the _salle
de musique_, where Fraulein von Boyen welcomed us, and, escorting us
to the centre of the _salle_, presented us to Her Royal Highness, the
Crown Princess.
Public-domain text, read in full here on John Shaqi.
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