After the introduction of miracle-plays and mysteries, if there was a deficiency at any time of ecclesiastical performers, the clergy took secular players to assist them; and besides the fraternities and guilds, as before mentioned, some of the public schools also claimed an exclusive privilege of performing plays at particular times and places; the scholar of Paul’s School, indeed, applied to Richard the Second to prohibit inexperienced persons from presenting the ‘History of the Old Testament,’ which the clergy had been at great expense to represent publicly at Christmas. The parish-clerks were also famed for their representations, which seem frequently to have taken place at Clerkenwell, and occasionally lasted for several days. One is mentioned by Stow, in 1409, at Skinner’s Well, near Clerkenwell, which lasted eight days, commencing from the Creation of the World; which was indeed the favourite beginning, if we may judge from the sets of mysteries still extant; the authors thinking that date sufficiently remote: unlike some pedigree hunters, who some way down their ornamented tree, place a note, stating that about this time the world began; or the Chinese picture of the Creation, which has, in a corner, a Chinese mandarin looking on through a telescope. About the middle of the fifteenth century, moralities, or morals, appear to have been introduced, consisting of allegorical personifications, and with them the Vice with his dagger of lath and fool’s coat. The scripture-plays were not, however, immediately abandoned, and may be met with, though perhaps in the shape of a puppet-show, as late certainly as the time of Queen Anne, when at Heatley’s Booth, at Bartholomew Fair, might be seen the old Creation of the World, newly revived, commencing with the Creation of Adam and Eve, and finishing with rich Dives in Hell, and Lazarus in Abraham’s bosom. The French had representations similar to those of the English, at least as early in date; and, in 1313, Philippe-le-Bel exhibited, on the occasion of conferring knighthood on his children, the following spectacles:—‘Adam et Eve;’ ‘Les Trois Rois;’ ‘Le Meurte des Innocens;’ N. S. riant avec Sa Mère, et mangeant des pommes; Hérode et Caiphe en mitre, &c. In France, and in Spain, where they had their Autos Sacramentales, as they called these mysteries, from an equally early date, these performances have been continued to modern times among the country people, and most of their collections of carols contain two or three short mysteries. The plays exhibited at court, during the Christmas, were probably different from those of the clergy, and more in the nature of mummeries, or disguisings, with pageants, until the time of Queen Elizabeth, when the regular drama was performed before her, a practice which has been renewed in the elegant Christmas festivities of our present Queen.