There was something almost ludicrous about the seriousness with which
they took this matter of rings and necklaces. One would have thought the
affairs of a nation occupied them, so anxious and hurried were they.
He sauntered along the balcony in the wake of a red-cheeked young clerk
who had bowed to him pleasantly and looked less as if he were speeding
to save a burning ship or warn the king he was about to be blown up than
did some of the others; and when this guide turned into a long,
brilliantly lighted room, Christopher, having nothing better to do,
entered too.
"You haven't finished that bracket clock yet, have you, McPhearson?"
called the salesman, approaching a little old man who with a microscope
to one eye was bending over a bench littered with small steel tools.
"Not yet, Bailey," the clockmaker replied without, however, looking up.
"She's a queer piece, that clock--not one for ordinary treatment."
"But you can put her in shape, can't you?" came a bit anxiously from
Bailey.
At the words a slow smile puckered the Scotchman's lips and for the
first time he stole a glance at the speaker.
"Don't fret, Bailey," he drawled.
"I'm not fretting, Mr. McPhearson. But the woman who owns that clock
won't sleep nights until she gets it home again."
"I don't blame her," was all McPhearson said.
"It's a good one, eh?"
"It's a dandy. I'd give my head for one like it. Genuine from start to
finish and listed in the book. It was made by Richard Parsons of Number
15 Goswell Street, London, somewhere about 1720--at least he is down as
a member of the Clockmakers' Company right along then. Pity he can't
know his handiwork is still doing duty. He'd be proud of it. Two hundred
years or more isn't a bad record for a clock."
"Two hundred years!" gasped Christopher involuntarily.
McPhearson peeped up over his microscope.
"This is Mr. Burton's son, McPhearson," put in Bailey.
"I know, I know. I've seen him round here ever since he could toddle.
Good morning, youngster. So you've come to explore the repairing
department, have you?"
The informality of the greeting was delightful to Christopher, and
immediately his heart went out to the old Scotchman.
"I guess so, yes," smiled he. "I didn't know I was going to though. It
just happened."
"It's not a bad happen, perhaps. Make yourself at home, laddie. Here's a
stool."
"I'd rather stand and watch you."
"But I sha'n't let you. It makes me nervous to have somebody hanging
over my shoulder and maybe jogging my elbow. If you're to stay you must
sit," was the brusque but not unkindly answer.
Somewhat crestfallen the boy slipped to the stool and for a few moments
remained immovable, watching the workman's busy fingers. How carefully
they moved--with what fascinating deftness and rapidity!
"I see you are not one to keep hitching and twiddling around," the
clockmaker presently remarked, with a twinkle. "We shall get on famously
together. I detest nervous people."
Public-domain text, read in full here on John Shaqi.
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