Some of the happiest days of my life were spent in the carrier’s cart, where the travellers were seated on the luggage, their feet well protected by straw, where we were all hail fellows well met, and each enjoyed his little joke, especially when the rural intellect was stimulated by beer and baccy. The old village inn where we stopped to water the horses and refresh the inner man seemed to me all the more respectable when compared with the pestiferous beershops that had then begun to infest the land, to increase the crime, the misery, the pauperism of a district which already had quite enough of them before. But to return to locomotion. A post-chaise was generally resorted to when the gentry travelled. It was painted yellow and black, and on one of the two horses by which it was drawn was seated an ancient, withered old man, generally known as the post-boy, whose age might be anywhere between forty and eighty, dressed in a jockey costume, in white hat and top boots; altogether, a bent, grotesque figure whom Tennyson must have had in his eye when he wrote—for the post-boy was often as not an ostler— Wrinkled ostler, grim and thin, Here is custom come your way; Take my brute and lead him in, Stuff his ribs with mouldy hay. CHAPTER II. A LIFE’S MEMORIES. Long, long before John Forster wrote to recommend everyone to write memoirs of himself it had become the fashion to do so. “That celebrated orator,” writes Dr. Edmund Calamy, one of the most learned of our Nonconformist divines, “Caius Cornelius Tacitus, in the beginning of his account of the life of his father-in-law, Julius Agricola (who was the General of Domitian, the Emperor, here in Britain, and the first who made the Roman part of Britain a Præsidial province), excuses this practice from carrying in it anything of arrogance.” This excellent example was followed by Julius Cæsar, Marcus Antoninus, many emperors who kept diaries, Flavius Josephus, St. Gregory of Nazianzen, St. Augustine, to say nothing of Abraham Schultetus, the celebrated professor at Heidelberg; of the learned Fuetius; of Basompierre, the celebrated marshal of France; of the ever-amusing and garrulous Montaigne; or of our own Richard Baxter, or of Edmund Calamy himself. The fact is, it has ever been the fashion with men who have handled the pen freely to write more or less about themselves and the times in which they lived, and there is no pleasanter reading than such biographical recollections; and really it matters little whether on the world’s stage the actor acted high tragedy or low comedy so that he writes truthfully as far as he can about himself and his times. If old Montaigne is to be believed there is nothing like writing about oneself. “I dare,” he writes, “not only speak of myself, but of myself alone,” and never man handled better the very satisfactory theme. If I follow in the steps of my betters I can do no