"We went there," he cried. "Mother got something for her cough, so she
couldn't have any supper. We stayed at a horrid old woman's, a nasty,
cross thing."
"You did not go to the Union, then?"
"No, we had some money, a whole shilling and some pennies."
Mr. Aston said something under his breath and Mr. Stapleton murmured
"tut-tut-tut."
"That's how we first missed the trail, Stapleton," he said, and then
as they walked up a steep hill he spoke to the boy.
"Christopher, I want you to tell me anything you remember about your
mother and the old days if you wish it, but you must not talk about
that to Aymer. It would make him unhappy."
"Who is Aymer?" asked Christopher, not unreasonably.
"Aymer is my son, my eldest son. You are going to live with him."
"Is he a boy like me?"
"No, he is quite big, grown up, but he can't get about as you can, he
is--a cripple."
He said the words with a sort of forced jerk and half under his
breath, but Christopher heard them and shivered.
"Do you live there, too?" he asked, pressing a little nearer the man
who was no longer a stranger.
"Live where?"
"With the--your son."
"Yes, I live there too. My boy couldn't get on without me--and here's
the White Elephant, which means supper and bed for a tired young man.
Jump down, Christopher."
CHAPTER II
The spirit of waning July hung heavily over London. In mean streets
and alleys it was inexpressibly dreary: the fagged inhabitants lacked
even energy to quarrel.
But on the high ground westward of the Park, where big houses demand
elbow-room and breathing space and even occasionally exclusive
gardens, a little breeze sprang up at sundown and lingered on till
dusk.
In this region lies one of the most beautiful houses in London, the
country seat of some fine gentleman in Queen Anne's day. It hid its
beauties, however, from the public gaze, lying modestly back in a
garden whose size had no claim to modesty at all. All one could see
from the road, through the iron gates, was a glimpse of a wide
portico, and a long row of windows. It stood high and in its ample
garden the breeze ran riot, shaking the scent from orange and myrtle
trees, from jasmine and roses, and wafting it in at the wide open
windows of a room which, projecting from the house, seemed to take
command of the garden.
It was a large room and the windows went from ceiling to floor. It was
also a very beautiful room. In the gathering dusk the restful
harmonies of its colours melted into soft, hazy blue, making it appear
vaster than it really was. Also, it was unencumbered by much furniture
and what there was so essentially fitted its place that it was
unobtrusive. Three big canvases occupied the walls, indiscernible in
the dim light, but masterpieces of world fame, heirlooms known all
over Europe. There was a curious dearth of small objects and
unessentials, nothing in all the great space that could fatigue the
eye or perplex the brain of the occupant.
Public-domain text, read in full here on John Shaqi.
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