Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series) — John Shaqi
Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
History
Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
England -- Social life and customs -- 16th century; Great Britain -- History -- Edward III, 1327-1377
Froissart's wandering life points to one of the most prominent of his
characteristics as a historian. Uncritical and often inconsistent
as he is, his mistakes are not due to partisanship, for he is
extraordinarily cosmopolitan. The Germans he dislikes as unchivalrous;
but though his life lay in the period of the Hundred Years' War
between England and France, and though he describes many of the events
of that war, he is as friendly to England as to France.
By birth Froissart belonged to the bourgeoisie, but his tastes and
associations made him an aristocrat. Glimpses of the sufferings which
the lower classes underwent in the wars of his time appear in his
pages, but they are given incidentally and without sympathy. His
interests are all in the somewhat degenerate chivalry of his age, in
the splendor of courts, the pomp and circumstance of war, in tourneys,
and in pageantry. Full of the love of adventure, he would travel
across half of Europe to see a gallant feat of arms, a coronation, a
royal marriage. Strength and courage and loyalty were the virtues he
loved; cowardice and petty greed he hated. Cruelty and injustice could
not dim for him the brilliance of the careers of those brigand lords
who were his friends and patrons.
The material for the earlier part of his Chronicles he took largely
from his predecessor and model, Jean Lebel; the later books are filled
with narratives of what he saw with his own eyes, or gathered from the
lips of men who had themselves been part of what they told. This fact,
along with his mastery of a style which is always vivacious if
sometimes diffuse, accounts for the vividness and picturesqueness of
his work. The pageant of medieval life in court and camp dazzled and
delighted him, and it is as a pageant that we see the Middle Ages in
his book.
Froissart holds a distinguished place among the poets as well as the
historians of his century. He wrote chiefly in the allegorical style
then in vogue; and his poems, though cast in a mold no longer in
fashion, are fresh and full of color, and were found worthy of
imitation by Geoffrey Chaucer.
But it is as the supreme chronicler of the later age of chivalry that
he lives. "God has been gracious enough" he writes, "to permit me to
visit the courts and palaces of kings, ... and all the nobles, kings,
dukes, counts, barons, and knights, belonging to all nations, have
been kind to me, have listened to me, willingly received me, and
proved very useful to me.... Wherever I went I enquired of old knights
and squires who had shared in deeds of arms, and could speak with
authority concerning them, and also spoke with heralds in order to
verify and corroborate all that was told me. In this way I gathered
noble facts for my history, and as long as I live, I shall, by the
grace of God, continue to do this, for the more I labour at this the
more pleasure I have, and I trust that the gentle knight who loves
arms will be nourished on such noble fare, and accomplish still more."_
Public-domain text, read in full here on John Shaqi.
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