Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
History
Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
England -- Social life and customs -- 16th century; Great Britain -- History -- Edward III, 1327-1377
An Englishman, endeavouring sometime to write of our attire, made
sundry platforms for his purpose, supposing by some of them to find
out one steadfast ground whereon to build the sum of his discourse.
But in the end (like an orator long without exercise), when he saw
what a difficult piece of work he had taken in hand, he gave over his
travel, and only drew the picture of a naked man[1], unto whom he
gave a pair of shears in the one hand and a piece of cloth in the
other, to the end he should shape his apparel after such fashion as
himself liked, sith he could find no kind of garment that could
please him any while together; and this he called an Englishman.
Certes this writer (otherwise being a lewd popish hypocrite and
ungracious priest) shewed himself herein not to be altogether void of
judgment, sith the phantastical folly of our nation (even from the
courtier to the carter) is such that no form of apparel liketh us
longer than the first garment is in the wearing, if it continue so
long, and be not laid aside to receive some other trinket newly
devised by the fickle-headed tailors, who covet to have several
tricks in cutting, thereby to draw fond customers to more expense of
money. For my part, I can tell better how to inveigh against this
enormity than describe any certainty of our attire; sithence such is
our mutability that to-day there is none to the Spanish guise,
to-morrow the French toys are most fine and delectable, ere long no
such apparel as that which is after the high Almaine fashion,
by-and-by the Turkish manner is generally best liked of, otherwise
the Morisco gowns, the Barbarian fleeces, the mandilion worn to
Colley-Weston ward, and the short French breeches make such a comely
vesture that, except it were a dog in a doublet, you shall not see
any so disguised as are my countrymen of England. And as these
fashions are diverse, so likewise it is a world to see the costliness
and the curiosity, the excess and the vanity, the pomp and the
bravery, the change and the variety, and finally the fickleness and
the folly, that is in all degrees, insomuch that nothing is more
constant in England than inconstancy of attire. Oh, how much cost is
bestowed nowadays upon our bodies, and how little upon our souls! How
many suits of apparel hath the one, and how little furniture hath the
other! How long time is asked in decking up of the first, and how
little space left wherein to feed the latter! How curious, how nice
also, are a number of men and women, and how hardly can the tailor
please them in making it fit for their bodies! How many times must it
be sent back again to him that made it! What chafing, what fretting,
what reproachful language, doth the poor workman bear away! And many
times when he doth nothing to it at all, yet when it is brought home
again it is very fit and handsome; then must we put it on, then must
the long seams of our hose be set by a plumb-line, then we puff, then
Public-domain text, read in full here on John Shaqi.
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