Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
History
Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
England -- Social life and customs -- 16th century; Great Britain -- History -- Edward III, 1327-1377
With us the nobility, gentry, and students do ordinarily go to dinner
at eleven before noon, and to supper at five, or between five and six
at afternoon. The merchants dine and sup seldom before twelve at noon,
and six at night, especially in London. The husbandmen dine also at
high noon as they call it, and sup at seven or eight; but out of the
term in our universities the scholars dine at ten. As for the poorest
sort they generally dine and sup when they may, so that to talk of
their order of repast it were but a needless matter. I might here take
occasion also to set down the variety used by antiquity in their
beginnings of their diets, wherein almost every nation had a several
fashion, some beginning of custom (as we do in summer time) with
salads at supper, and some ending with lettuce, some making their
entry with eggs, and shutting up their tables with mulberries, as we
do with fruit and conceits of all sorts. Divers (as the old Romans)
began with a few crops of rue, as the Venetians did with the fish
called gobius; the Belgres with butter, or (as we do yet also) with
butter and eggs upon fish days. But whereas we commonly begin with the
most gross food, and end with the most delicate, the Scot, thinking
much to leave the best for his menial servants, maketh his entrance at
the best, so that he is sure thereby to leave the worst. We use also
our wines by degrees, so that the hostess cometh last to the table:
but to stand upon such toys would spend much time, and turn to small
profit. Wherefore I will deal with other things more necessary for
this turn.
CHAPTER VII
OF OUR APPAREL AND ATTIRE
[1577, Book III., Chapter 2; 1587, Book II., Chapter 7.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account