Chronicles of Dustypore: A Tale of Modern Anglo-Indian SocietyCunningham, H. S. (Henry Stewart), Sir
History
Chronicles of Dustypore: A Tale of Modern Anglo-Indian Society
Cunningham, H. S. (Henry Stewart), Sir
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Before, however, she had been a week at Dustypore the ice began to melt.
Felicia came in one morning from a long busy time with nurses, children,
servants and housekeeping, established herself in an easy-chair, close
to Maud, and was evidently bent upon a chat. Maud found herself
presently, she knew not how, pouring out all her most sacred secrets,
and giving her heart away in a most reckless fashion, to a companion
whom, so far as time went, she still regarded as almost a stranger. Such
a confession she had never made, even to Miss Goodenough, nor felt
inclined to make it. Now, however, it seemed to come easily and as a
matter of course. Felicia was sympathetic and greatly interested. Even
the episode of the valentine was not forgotten.
'There,' Maud cried, with a slightly nervous dread of telling something
either improper or ridiculous; 'that was my very last school-girl
scrape. Was it very bad?'
'Very bad!' cried Felicia, with a laugh, the joyousness of which was
entirely reassuring; 'it was that naughty boy who got you into trouble.
Fortunately there are no galleries in our church here, and no boys, so
there is nothing to fear.'
That evening Felicia was singing an old familiar favourite air, as she
was fond of doing, half in the dark, and unconscious of a listener.
Vernon was deep in his papers in the adjoining room. Maud, at the other
end of the piano, where she had been turning over the leaves of some
music, stood with her hand still resting on the page, gazing at the
singer and wrapt in attention. Something, she knew not what, nor stopped
to ask--the time, the place, the song or the tone of Felicia's
voice--touched her as with a sudden gust of feeling. When the song was
over Maud walked across, flung her arms round her companion and kissed
her with a sort of rapture.
Felicia, looking up, surprised, saw that the other's eyes were full of
tears.
'That is pretty, is it not?' she said, taking Maud's hand kindly in her
own.
'Sing it once more,' Maud petitioned. And so, while Vernon, unconscious
of the flow of sentiment so close about him, was still absorbed in the
vicissitudes of Orissa, Felicia's performance was encored, and two
sympathetic natures had found each other out and worked into unison.
Afterwards, when Maud had departed, Felicia, with characteristic
impulsiveness, broke out into vehement panegyric:
'Come, George,' she said, 'don't be stupid, please, and uninterested;
don't you think she is quite charming?'
'Felicia,' said her husband, 'you are for ever falling in love with some
one or other, and now you have lost your heart to Maud. No, I don't
think her charming; but I dare say a great many other people will. She
will be the plague of our lives, you will see. I wish we had left her
at Miss Goodenough's.'
'Of course everybody will fall in love with her,' cried Felicia, quite
undaunted by her husband's gloomy forebodings; 'and I will tell you
what, George--she will do delightfully for Jem.'
Public-domain text, read in full here on John Shaqi.
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