Chronicles of Dustypore: A Tale of Modern Anglo-Indian SocietyCunningham, H. S. (Henry Stewart), Sir
History
Chronicles of Dustypore: A Tale of Modern Anglo-Indian Society
Cunningham, H. S. (Henry Stewart), Sir
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
One of the stupid things that people do in India is to select the two
hottest hours of the day for calling on each other. How such an idiotic
idea first found its way into existence, by what strange fate it became
part of the social law of Anglo-Indians, and how it is that no one has
yet been found with courage or strength enough to break down a custom so
detrimental to the health and comfort of mankind, are among the numerous
mysteries which the historian of India must be content to leave
unsolved. Like Chinese ladies' feet, the high heels on which fashionable
Europe at present does penance, suttee of Hindu widows, and infanticide
among the Rajpoot nobles, it is merely a curious instance that there is
nothing so foolish and so disagreeable that human beings will not do or
endure if it only becomes the fashion.
At any rate, the ladies and gentlemen of Dustypore were resolved not to
be a whit less fashionable and uncomfortable than their neighbours, and
religiously exchanged visits from twelve to two.
Maud's arrival was the signal for a burst of callers, and a goodly
stream of soldiers and civilians arrived day by day to pay their homage
to the newly-arrived beauty and her chaperon. Felicia's house was always
popular, and all that was pleasantest and best in Dustypore assembled at
her parties. Young London dandies fresh from home, and exploring the
Sandy Tracts under the impression of having left the _Ultima Thule_ of
civilisation far behind them, were sometimes startled to find her
drawing-room as full of taste, luxury, and refinement as if they had
suddenly been transported to Eaton Square.
What is the nameless grace that some women have the art of putting into
chairs and tables, which turns them from mere bits of upholstery into
something hardly short of poetry? How is it that in some rooms there
breathes a subtle charm, an aroma of delicacy and culture, a propriety
in the behaviour of the sofas and ottomans to one another, a pleasant
negligence apparent through the general order, a courageous simplicity
amid elaborated comfort, which, in the absence of the mistress, tells
the expectant visitor that he is about to meet a thoroughbred lady?
Some such fascination, at any rate, there lingered about the cool,
carefully-shaded room in which Felicia received her guests. It was by no
means smart, and not especially tidy, for it was often invaded and
occupied by a victorious horde from the nursery, and bore many a sign of
the commonplace routine of daily life. But to Felicia's friends it was
an enchanted abode, where a certain refuge might be found from whatever
disagreeable things or people prevailed outside, and where Felicia, who,
whatever she might feel, always looked calm and radiant and cool,
presided as the _genius loci_, to forbid the possibility of profane
intrusion.
Public-domain text, read in full here on John Shaqi.
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