Chronicles of Dustypore: A Tale of Modern Anglo-Indian Society — John Shaqi
Chronicles of Dustypore: A Tale of Modern Anglo-Indian SocietyCunningham, H. S. (Henry Stewart), Sir
History
Chronicles of Dustypore: A Tale of Modern Anglo-Indian Society
Cunningham, H. S. (Henry Stewart), Sir
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
'Your toes!' cried Desvoeux, with effusion: 'He wanted to adore them, as
I do--sweet points where all the concentrated poetry of your being
gathers. Put out that fairy little satin shoe and let me adore them
too!'
'No, thank you!' cried Maud, greatly taken aback at so unexpected a
request, gathering her feet instinctively beneath her; 'it's not the
fashion!'
'You will not?' Desvoeux said, with a tone of sincere disappointment.
'Is not that unkind? Suppose it was the fashion to cover up your hands
in tulle and satin and never to show them?'
'Then,' Maud said, laughing, 'you would not be able to adore them
either; as it is, you see, you may worship them as much as you please!'
'I have been worshipping them all the evening. They are lovely--a little
pair of sprites.'
'Stop!' cried Maud, 'and let me see. My shoes are fairies, and my
dancing a poem, and my fingers sprites! How very poetical! And, pray, is
this the sort of way that people always talk at balls?'
'Not most people,' said Desvoeux, unabashed, 'because they are geese and
talk in grooves--about the weather and the last appointment and the
freshest bit of stale gossip; but it is the way _I_ talk, because I only
say what I feel and am perfectly natural.'
'Natural!' said Maud, in a tone of some surprise, for her companion's
romantic extravagance seemed to her to be the very climax of unreality.
'Yes,' said Desvoeux, coolly, 'and that is one reason why all women like
me; partly it is for my good looks, of course, and partly for my
dancing, but mostly because I am natural and tell the truth to them.'
'And partly, I suppose,' said Maud, who began to think her companion was
in great need of setting down, 'because you are so modest?'
'As to that, I am just as modest as my neighbours, only I speak out. One
knows when one is good-looking, does one not? and why pretend to be a
simpleton? You know, for instance, how very, very pretty you are looking
to-night!'
'We were talking about _you_, if you please,' said Maud, blushing
scarlet, and conscious of a truth of which her mirror had informed her.
'Agreeable topic,' said the other gaily; 'let us return to it by all
means! Well, now, I pique myself on being natural. When I am bored I
yawn or go away; when I dislike people I show my teeth and snarl; and
when I lose my heart I don't suffer in silence, but inform the fair
purloiner of that valuable organ of the theft without hesitation. That
is honest, at any rate. For instance, I pressed your hand to-night, when
you came in first, to tell you how delighted I was that you were come to
be the belle of the party. You did not mind it, you know!'
'I thought you very impertinent,' said Maud, laughing in spite of
herself; 'and so I think you now, and very conceited into the bargain.
Will you take me to have some tea, please?'
'With all my heart,' said the other; 'but we can go on with our talk.
How nice it is that we are such friends, is it not?'
Public-domain text, read in full here on John Shaqi.
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