“We shall here take our leave of the poet Lydgate, by whose descriptive verses we have illustrated three splendid scenes in the history of London Bridge; and I pray you, if it be but in gratitude for this single circumstance, reject, as malignant and untrue, the character given of him by Ritson, when he calls him a ‘voluminous, prosaick, and drivelling Monk.’ Warton is not only more liberal, but more just, in his estimate, when he says that ‘no poet had greater versatility of talents, and that he moves with equal ease in every mode of composition.’ He admits that he was naturally verbose and diffuse, tedious and languid: but he asserts, also, that he had great excellence in flowery description; that he increased the power of the English language; and that he was the first of our writers whose style is clothed with modern perspicuity. ‘His Muse was of universal access,’ he continues, ‘and he was not only the poet of his monastery, but of the world.’ Alike happy in composing a Masque, a Disguising, a May-game, a Pageant, a Mummery, or a Carol, for Ritson’s list of his poems, amounting to 251, embraces all these, and numerous other subjects. “The year 1450 was made memorable by the daring insurrection of Jack Cade and the commons of Kent, which arose, partly, out of the popular belief that the Duke of Suffolk had caused the loss of a great portion of France to the English Crown; and, partly, from the pretensions of Richard, Duke of York, to the throne; in consequence of the haughtiness, despotism, and usurpation of Queen Margaret, and William De la Pole, her favourite. After some vain attempts to satisfy the commons concerning the Duke of Suffolk, King Henry banished him from the realm for five years; when after his embarkation his vessel was chased by an English ship called the Nicholas, belonging to the Constable of the Tower, by which it was captured, the Duke seized, and his head struck off on the side of a boat in Dover-roads; after which, it was carelessly cast with the body upon the sands. This murder, however, did not restore quietness to England, for the Duke of York being thus relieved from a powerful enemy, immediately proceeded in his own designs upon the Crown. By his instigation, therefore, one John Cade assumed the name of Sir John Mortimer, of the house of March, who, in reality, had been beheaded in 1425, on a charge of treason. Cade was a native of Ireland, and formerly a servant to Sir Thomas Dacre, Knight, of Sussex; but having cruelly murdered a pregnant woman, he took sanctuary, and forsware the kingdom. With such a character, he began his work of reformation in Kent, in May, 1450; assuming also, as some tell us, the title of John Amendall, and easily drew so many malcontents together, that, in a few days, he was enabled to approach London, and to encamp with his rebel forces upon Blackheath. When Henry marched against him, he retired into a wood near Sevenoaks; where he remained, until the King, supposing