ancient Art of Illuminating shed its latest rays, I pray you fail not carefully to inspect it: for you will find it a copy of that edition printed at his own palace, by John Day; with many leaves impressed on vellum, and the whole of the book carefully ruled with red-ink lines, the initials coloured and gilded, and all the Armorial Ensigns, with the Frontispiece, excellently well emblazoned. And I pray you also, forget not well to note the binding; since a richer, or more fancifully embroidered covering there are few tomes which can exhibit. The ground of it is green velvet, intended to represent the _vert_ of a park, and it is surrounded by a broad border of pales with a gate, worked in brown silk and gold twist; whilst within are trees, flowers, shrubs, tufts of grass, serpents, hinds, and does, all executed in richly coloured silks, and gold and silver wire. At the back are the Queen’s badges of red and white roses; the edges of the leaves are gilt, and the volume was once secured by ribbons of crimson silk. “Of this most splendid book I must, indeed, yet add another word, that it may be estimated as it so well deserves. Dr. Ducarel, in his account of that astonishing copy of it which is deposited in the Archiepiscopal Palace at Lambeth, says, ‘It was first printed at Lambeth by John Daye in 1572; and so small a number were then published, that, except this complete copy, there is but one extant in England, known to be so, which is preserved in the Public Library of Cambridge, as I am informed.’ See his Letter of July the 15th, 1758, addressed to Archbishop Secker, which is inserted in the Rev. H. J. Todd’s ‘_Catalogue of the Archiepiscopal Manuscripts in Lambeth Palace_.’ London, 1812, folio, page 242, Art. 959.