Chronicles of Pharmacy, Vol. 1 (of 2)Wootton, A. C.
History
Chronicles of Pharmacy, Vol. 1 (of 2)
Wootton, A. C.
Pharmacy -- History
“Deorum immortalium inventioni consecrata est Ars
Medica.”--CICERO, _Tusculan. Quaest._, Lib. 3.
The earliest medical practitioners of any sort and among all peoples
would almost certainly be, as we should designate them, herbalists;
women in many cases. How they came to acquire knowledge of the healing
properties of herbs it is futile to discuss. Old writers often
guess that they got hints by watching animals. Their own curiosity,
suggesting experiments, would probably be a more fruitful source of
their science, and from accidents, both happy and fatal, they would
gradually acquire empiric learning.
Very soon these herb experts would begin to prepare their remedies so
as to make them easier to take or apply, making infusions, decoctions,
and ointments. Thus the Art of Pharmacy would be introduced.
The herbalists and pharmacists among primitive tribes would accumulate
facts and experience, and finding that their skill and services had
a market value which enabled them to live without so much hard work
as their neighbours, they would naturally surround their knowledge
with mystery, and keep it to themselves or in particular families. The
profession of medicine being thus started, the inevitable theories
of supernatural powers causing diseases would be encouraged, because
these would promote the mystery already gathering round the practice
of medicine, and from them would follow incantations, exorcisms,
the association of priestcraft with the healing arts, and the
superstitions, credulities, and impostures which have been its constant
companions, and which are still too much in evidence.
THE INVENTORS OF MEDICINE
Medicine and Magic consequently became intimately associated, and
useful facts, superstitious practices, and conscious and unconscious
deceptions, became blended into a mosaic which formed a fixed and
reverenced System of Medicine. Again the supernatural powers were
called in and the credit of the revelation of this Art, that is its
total fabric, was attributed either to a divine being who had brought
it from above, or to some gifted and inspired creature, who in
consequence had been admitted into the family of the deities.
Public-domain text, read in full here on John Shaqi.
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