Chronicles of the Canongate, 1st SeriesScott, Walter
General
Chronicles of the Canongate, 1st Series
Scott, Walter
Scotland -- Social life and customs -- Fiction; Scots -- Foreign countries -- Fiction
The CHAIRMAN then requested that gentlemen would fill a bumper as full
as it would hold, while he would say only a few words. He was in the
habit of hearing speeches, and he knew the feeling with which long ones
were regarded. He was sure that it was perfectly unnecessary for him to
enter into any vindication of the dramatic art, which they had come
here to support. This, however, he considered to be the proper time
and proper occasion for him to say a few words on that love of
representation which was an innate feeling in human nature. It was the
first amusement that the child had. It grew greater as he grew up; and
even in the decline of life nothing amuses so much as when a common tale
is told with appropriate personification. The first thing a child does
is to ape his schoolmaster by flogging a chair. The assuming a character
ourselves, or the seeing others assume an imaginary character, is an
enjoyment natural to humanity. It was implanted in our very nature to
take pleasure from such representations, at proper times and on proper
occasions. In all ages the theatrical art had kept pace with the
improvement of mankind, and with the progress of letters and the fine
arts. As man has advanced from the ruder stages of society, the love
of dramatic representations has increased, and all works of this nature
have keen improved in character and in structure. They had only to turn
their eyes to the history of ancient Greece, although he did not pretend
to be very deeply versed in its ancient drama. Its first tragic poet
commanded a body of troops at the battle of Marathon. Sophocles and
Euripides were men of rank in Athens when Athens was in its highest
renown. They shook Athens with their discourses, as their theatrical
works shook the theatre itself. If they turned to France in the time of
Louis the Fourteenth--that era which is the classical history of that
country--they would find that it was referred to by all Frenchmen as the
golden age of the drama there. And also in England in the time of Queen
Elizabeth the drama was at its highest pitch, when the nation began to
mingle deeply and wisely in the general politics of Europe, not only
not receiving laws from others, but giving laws to the world, and
vindicating the rights of mankind. (Cheers.) There have been various
times when the dramatic art subsequently fell into disrepute. Its
professors have been stigmatized, and laws have been passed against
them, less dishonourable to them than to the statesmen by whom they were
proposed, and to the legislators by whom they were adopted. What were
the times in which these laws were passed? Was it not when virtue was
seldom inculcated as a moral duty that we were required to relinquish
the most rational of all our amusements, when the clergy were enjoined
celibacy, and when the laity were denied the right to read their Bibles?
He thought that it must have been from a notion of penance that they
Public-domain text, read in full here on John Shaqi.
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