The passing bell originally sounded as a summons to the faithful
to pray for a soul just passing out of the world; but it has now
degenerated into a mere notice that death has taken place, and as it
is rung (to suit the sexton’s convenience) some hours after death,
or even on the following day, the name has ceased to be appropriate.
It appears to be one of the oldest of all uses of bells, and is said
to have been rung for S. Hilda, of Whitby, in 680. Unlike most other
customs it received the strong approval of the most ardent reformers,
and in the churchwardens’ accounts of the sixteenth and seventeenth
centuries there are often long lists given every year of money received
from parishioners “for the Knell.” The sum paid was usually fourpence.
The 67th Canon directs that the passing bell shall be tolled, “and the
minister shall not then slack to do his last duty.”
When the Knell is rung, it is a frequent practice to indicate the age
or sex of the deceased. The former is done by tolling a number of
strokes answering to the years of his or her life, or more vaguely by
using the largest bell for an adult and a smaller for a child. Sex
is sometimes similarly indicated, but more usually by what are known
as “tellers,” a varying number of strokes for male or female, and
sometimes also for a child. The commonest form is three times three for
male, three times two for female; and sometimes three times singly for
a child; but some parishes keep up curious variations of this rule. The
old saying “nine tailors make a man” is really “nine tellers,” or three
times three.
The knell with the tellers is sometimes repeated at funerals, but more
frequently the tenor bell is tolled at intervals of a minute, becoming
more rapid when the corpse appears in sight. In some country districts
the bells are or used to be chimed at this time, and in Shropshire this
is known as the “joy-bells,” or “ringing the dead home.” In olden days
a hand-bell or “lych-bell” was rung before the corpse on its way; this
is still done at Oxford at the funeral of any University official.
Bells were largely used in mediaeval times to mark the hours of
the day, even before the introduction of clocks. In the monastic
establishments they were naturally rung at the canonical hours of
twelve, three, six, and nine, for the services of Mattins, Lauds,
Prime, Tierce, Sext, None, Vespers, and Compline. It has been suggested
that this is the reason why chimes are usually played at these hours,
where there are carillons.
Public-domain text, read in full here on John Shaqi.
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