I have said that seventeenth century bells were often very richly decorated; and the ornamental running borders or elaborate arabesque patterns which separate the words of the inscriptions or surround the upper and lower edges of the bells, surpass in that respect anything attempted in mediaeval times (Plate 38). Thomas Hancox of Walsall (1620-1640) adorned his bells with reproductions of mediaeval seals; and as late as the beginning of the eighteenth century the Cors of Aldbourne, in Wiltshire, bought up a lot of pieces of old brass ornaments from which they used to decorate their bells. At Malmesbury and Tisbury in that county they have left bells covered with figures of cherubs, coats of arms and monograms, a medallion of the Adoration of the Wise Men, and other curious ornaments. Most of these founders, such as John Martin of Worcester, Oldfield of Nottingham, and Clibury of Wellington, used trade-marks with their initials, and a bell or other device. [Illustration: _Plate 28._ PEAL OF EIGHT BELLS (TENOR 16 CWT.) FOR ABERAVON CHURCH, GLAMORGANSHIRE. This is an example of an ordinary English peal constructed for change-ringing and shows some of the bells “up,” ready for ringing. In this case the frame and stocks are of iron and the bells are without cannons.] Seventeenth-century Roman lettering, although plain, is often most effective and artistic; capitals are almost always used throughout, and small Roman letters are very rare. It is not until the middle of the next century that it was replaced by the dull mechanical printing types which are characteristic of the present day. But since the Gothic revival several modern founders have re-introduced capital letters of the old style with good effect; notably the Taylors of Loughborough. Nowadays, however, there is little attempt at ornamenting bells; not only the usual inscription-band on the shoulder, but the whole surface of the bell is utilized for immortalizing local officials and celebrities. On a bell recently cast for a church on the outskirts of London are given the names, not only of the Vicar, Bishop, and Archbishop, but of the Prime Minister, Member of Parliament, and Chairman of the District Council! So far little has been said about the inscriptions placed on bells; but as these form one of the most interesting features of the subject, they demand some little attention. The earliest inscriptions, those of the fourteenth century, were usually in Latin, and very simple in form. We find merely a name such as IESVS or IOHANNES, or such phrases as CAMPANA BEATI PAVLI, “the bell of blessed Paul,” or IN HONORE SANCTI LAURENCII, “in honour of Saint Lawrence.” More rarely, the founder’s name, as-- ~MICHAEL DE VVYMBIS ME FECIT~ “Michael de Wymbis made me.” ~ION ME YEYT~ “John cast me.” Other forms of inscription soon became common, especially the simple invocation to a saint--