Any idea of keeping up a Law Established Church with public property, surrounded by Dissenting Churches, without a public property, can enter the head of no man who understands the subject. There can be no peace or final settlement under such an arrangement. The effect to be accomplished is, not to break up the Church Property; but to break up the Dissenters from the Church. This will startle the present state of mind and feeling. I propose no abridgement of equal liberty. Is not this the grand _desideratum?_ Can it be accomplished?--I think it can, and so proceed to unfold the two-fold consideration. First.--What is now the Church? What are its defects? What the cause of that dissent which has made a revision necessary? This, in reality, is but one question, with a three-fold expression. The Church is now the Theatre of the Drama of the Books of Common Prayer, the Thirty-nine Articles, and the Old and New Testament; to which is generally added a sermonic epilogue or exhortation, commonly called a Sermon. Be not offended at my use of the word _Theatre_ here: no other would substitute. Its root is the Greek [------], God, and signified originally, the house, place or stage, where the Drama of Theism or attributes of Deity were exhibited. The word is now much distorted from its root, in being made to describe the place of modern dramatic performances. Nor must the word _Drama_ be objected to; because the ceremony of the Church was originally so constructed, so meant, and so practised, as I will prove in the course of this letter. Even the word _Tragedy_ has its root in the Greek word [------], a goat, and signifies, in the dramatic exhibition of Theism, the death of the year, under the form of a personification, in the twelfth or zodiacal month of the goat. So that the death sorrowed for and lamented, was, dramatically, the apparent death of the sun, the death of the year, in the sign or month of the goat; and on St. Thomas's day, as we read in the Prophet Ezekiel, chap. viii. v. 14--"_and behold there sat women weeping for Tammuz;_" and v. 16--"_about five and twenty men, with their backs toward the temple of the Lord, and their faces toward the east; and they worshipped the sun toward the east_," which is no other than a representation of the performance of the tragedy, in which the performers had lost the moral of the Lord's Temple: precisely the present state and condition of the Church. All ancient mythology is in harmony with this conclusion; and the Christian tragedy is only a continued version, uniting the general drama of human morals with the annual tragedy of solar physics, and forming a two-fold or two-keyed allegory or mystery, physical and moral, as it was known even in the Celtic or Druid Church. Christianity was never new, or young, in this country, by existing records.