It would be tedious to describe one by one the customs of the samurai, which may be taken as the outward expressions of Bushido in its most developed form; but perhaps the most conspicuous among them was the vendetta, to which, on account of the important part it plays in the _Chushingura_, we will refer later on. Another custom was the _seppuku_ (or _harakiri_), or self-disembowelment. It was an act inspired by the spirit of Bushido which urges loyalty and considers life light as compared with the preservation of one’s honour. Death was looked upon as an atonement for all faults and errors. One who had acted contrary to the principles of Bushido did not wait for others to lay their hands upon him, but slew himself without hesitation; and he who showed fear or irresolution on such occasion was looked upon as bringing dishonour upon the samurai’s name. The death of Kanpei in the sixth act of the _Chushingura_ is an instance in point. A samurai guilty of a serious offence which deserved capital punishment was sentenced to commit _seppuku_. In such case the order to commit _seppuku_, instead of being beheaded like a common criminal, was looked upon as an honour, as may be seen in the fourth act of the _Chushingura_ where Enya Hangwan is condemned to death. A curious form of _seppuku_ was the _junshi_, the suicide of a retainer upon the death of his lord in order to serve him still in the other world. This custom, which was in great vogue in the early years of the Tokugawa régime, was founded upon the principle of Bushido that it was dishonourable for a samurai to serve a second master. Some went so far as to look upon it as a stain upon their honour to serve the heir of their dead master and so followed him to the grave. The feudal government, however, prohibited this practice by law and threatened with severe punishment all who violated it; and by the Genroku era the _junshi_ was entirely discontinued. VENDETTA. We may now proceed to touch upon the custom of vendetta. Among the most marked social products of the Tokugawa period must be mentioned vendetta. It was the favourite subject for the novels, ballads, and plays of the period and was treated so frequently that it seemed to be the peculiar product of that period. But the vendetta was not peculiar to that age. It made its first appearance some fifteen centuries ago and was known in every period of our national history. The revenge of the Soga Brothers, for instance, who killed their enemy in 1193 seventeen years after their father’s murder, is the most famous of our vendettas and was sung in songs, played on the stage, and treated in novels, of the Tokugawa period. There were many vendettas before the Tokugawa age; and what made them appear peculiar to that age was the strong contrast they presented to the idle, luxurious life which was resulting from the long-continued peace under the Tokugawa rule; and for that reason they attracted the greatest attention of the nation.