Chushingura; Or, The Treasury of Loyal RetainersTakeda, Izumo
History
Chushingura; Or, The Treasury of Loyal Retainers
Takeda, Izumo
Forty-seven Ronin -- Drama; Japan -- History -- Ako Vendetta, 1703 -- Drama
In spite of these linguistic difficulties, an attempt has
been made, it is to be hoped not altogether without success,
to give in the present work the plot and spirit of the
_Chushingura_; but for the full comprehension of the play
and its _motif_, the reader should possess some acquaintance
with the social condition, manners, and ideas of the time to
which it refers.
The vendetta of the retainers of Ako, which forms the
subject of the play, took place early in 1703; and the play
saw the light forty-five years later, in 1748. It was a
production of the golden age of Tokugawa literature. During
the little more than a century and a half that have since
elapsed, remarkable changes have come over society. The
peace which had lasted under the Tokugawa Shogunate for two
centuries and a half was rudely broken by the cannon’s roar
off the coast of Uraga; and soon after, with the Restoration
of the Imperial authority, the nation began to introduce the
civilisation of the West. Our wars with China and Russia
have greatly influenced the whole society, and our customs
and manners undergone marked changes. In these days it is
difficult to form a clear idea of the state of society under
the feudal régime. Few of those people to-day who leave
Shimbashi by the night express to awake next morning at Kobe
have a definite conception of the _daimyo’s_ procession that
used to be borne on the shoulders of coolies across the
River Oi which they pass in their sleep. The postal
halting-places have become railway stations, and express
couriers have been replaced by telegraph. And we can hardly
imagine how cheap life was held in the old times when, for
the loss of their lord’s treasured article, retainers who
had faithfully served him and his fathers had to surrender
their lives and family estates; and we can hardly bring
ourselves into sympathy with those lovers who, taking their
lives into their own hands, have become subjects of songs
for their suicide. When even we Japanese at the present time
are thus out of touch with much that was of common
occurrence in our forefathers’ days two centuries ago, it is
only to be expected that Old Japan should appear almost
incomprehensible to the Western peoples whose manners,
customs, and ways of life are totally different to ours. It
is therefore believed that it would not be an altogether
needless task to make a few remarks here on the condition,
manners, and thought of society at that time.
THE TOKUGAWA SHOGUNATE.
Public-domain text, read in full here on John Shaqi.
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