Cinderella, and Other StoriesDavis, Richard Harding
General
Cinderella, and Other Stories
Davis, Richard Harding
United States -- Social life and customs -- 19th century -- Fiction
But he was not always serious, and it sometimes happened that after he
had arrived at some queer little island where the native prince and the
English governor sat in judgment together, his interest in the
intricacies of their laws would give way to the more absorbing
occupation of chasing wild boar or shooting at tigers from the top of an
elephant. And so he was not only regarded as an authority on many forms
of government and of law, into which no one else had ever taken the
trouble to look, but his books on big game were eagerly read and his
articles in the magazines were earnestly discussed, whether they told of
the divorce laws of Dakota, and the legal rights of widows in Cambodia,
or the habits of the Mexican lion.
Stuart loved his work better than he knew, but how well he loved Miss
Delamar neither he nor his friends could tell. She was the most
beautiful and lovely creature that he had ever seen, and of that only
was he certain.
Stuart was sitting in the club one day when the conversation turned to
matrimony. He was among his own particular friends, the men before whom
he could speak seriously or foolishly without fear of being
misunderstood or of having what he said retold and spoiled in the
telling. There was Seldon, the actor, and Rives who painted pictures,
and young Sloane, who travelled for pleasure and adventure, and Weimer
who stayed at home and wrote for the reviews. They were all bachelors,
and very good friends, and jealously guarded their little circle from
the intrusion of either men or women.
"Of course the chief objection to marriage," Stuart said--it was the
very day in which the picture had been sent to his rooms--"is the old
one that you can't tell anything about it until you are committed to it
forever. It is a very silly thing to discuss even, because there is no
way of bringing it about, but there really should be some sort of a
preliminary trial. As the man says in the play, 'you wouldn't buy a
watch without testing it first.' You don't buy a hat even without
putting it on, and finding out whether it is becoming or not, or whether
your peculiar style of ugliness can stand it. And yet men go gayly off
and get married, and make the most awful promises, and alter their whole
order of life and risk the happiness of some lovely creature on trust,
as it were, knowing absolutely nothing of the new conditions and
responsibilities of the life before them. Even a river pilot has to
serve an apprenticeship before he gets a license, and yet we are allowed
to take just as great risks, and only because we _want_ to take them.
It's awful, and it's all wrong."
"Well, I don't see what one is going to do about it," commented young
Sloane, lightly, "except to get divorced. That road is always open."
Sloane was starting the next morning for the Somali Country, in
Abyssinia, to shoot rhinoceros, and his interest in matrimony was in
consequence somewhat slight.
Public-domain text, read in full here on John Shaqi.
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